Review – Crayola Twistables Crayons

Posted on May 21, 2014 by Dragon Co (Austin Smith)

Now, crayons are impractical for most art types, usually because they are fragile and fiddly. What if these two problems were fixed, and crayons were easy to take and use anywhere? What would their value be? Well, Crayola has a set of twistable crayons which have plastic bodies with a twist action, so let’s take a look.

First off, the crayons come in a quite nice plastic-and-card-stock carrying case, which, while handy, seems like it would fall apart rather quickly. And, just for me personally, I would want to store these somewhere else, but have a problem throwing plastic things away so I keep them in it.

The crayon barrels are made of plastic and have Crayola and Twistables written on each one, with no indication as to color, though the body is see-through so the color is fairly apparent. Near the tips is a tapered and grippy section which works quite well, especially since the rest of the body is very slick. At the other end is a twisting knob which operates easily and can be used to both push the crayon out and retract it.

That’s almost all there is to say. The crayons themselves are nothing special, they’re just kept in place by a plastic tube and screw. They are, of course, for kids so they are bright and not very natural. They are also non-toxic, which is a bonus. They stay alright on the paper, but not as well as more “professional” crayon and oil pastels.

So, overall they are better crayons, but they don’t change what Crayola crayons really are. Which is good for the people who use Crayola crayons. They aren’t particularly serious art supplies, and that’s fine. For more advanced things I’d recommend picking up one of the larger cases with more colors rather than the standard 10 pack I got. Past that there really isn’t anything special about them.

Review – Pilot Easytouch Pro

Posted on May 16, 2014 by Dragon Co (Austin Smith)

While not necessarily an art supply, the Pilot EasyTouch Pro claims to use a hybrid ink formula to make a smooth writing, quick drying, waterproof ink, which sounds super handy. Let’s see what it’s all about.

First the body of the pen features a “modern design”. The tip is a metal cone similar to most click pens. The grip is nicely tapered and flares out at the end. The barrel is fairly straight, but with a little engraving and minimal information. The clip is simple, and tight, with a “modern design”. At the end is a click button and a strange cutoff design. The click mechanism works well but has a grating sound.

The ink itself is a slightly dark black, but really more of a grey. The tip is medium and there are no options. It does flow quite easily, with very little pressure on the paper. It isn’t as smooth as a fountain pen, or even a gel pen. It does offer some line variation when one presses harder, and it becomes considerably blacker when one does so. It dries fairly fast, though not the fastest. All of this is quite nice until at some points when one is writing (especially when one has just started) a large blob of ink spills out of the point and bleeds though the paper. This is not really unusual for a ballpoint, but the amount and the bleed through make it quite a problem. It’a not really a problem when writing, but a problem when doing anything else.

So overall, this is not a drawing pen, but a writing pen, and not a long writing pen either, because of blobbing, but if one merely wants to sign a paper, or write one page it is quite a smooth-writing fine instrument.

Review – Palomino Blackwing Pencil

Posted on May 7, 2014 by Dragon Co (Austin Smith)

So I’ve reviewed some pencils, and I believe it is time in my pencil-reviewing career to take a look at the reproduction of the “greatest” pencil of all time: The Palomino Blackwing.

The body of the pencil is unique, which really is something to say about a pencil. The main body is a fairly standard hexagon shape, but painted in a nice, less-standard matte black. The Palomino Blackwing name and logo is printed in gold, with a gold band around the back. No indication of hardness is presented. The eraser holder starts off normal, but flares out into a rectangular shape with a metal insert that holds the eraser and makes it replaceable. This eraser holder is fairly smoothly finished, which is also unconventional. The erasers themselves are fine, they get the job done but they aren’t perfect, especially if they have to deal with the amount of lead this pencil puts on the paper.

Now to what really matters: the lead of the pencil. It is fairly soft, but not the softest. From what I can gather it’s about a 3 or 4B (a few bits softer than a no.1 or no. 2 pencil) and boy does it glide. It’s likely one of the best flowing pencils I’ve ever used. Even for this hardness it is noticeably smoother than others in the same area. But it does sacrifice its point for this. The pencil just never stays sharp, and it can go from a fine (almost) line to a very broad line very fast. The softness also makes sharpening harder as the end never gets quite as sharp as I’d like it to be as it keeps breaking off. I suspect that the Blacking will be reduced to a stump in short order because of this, and the eraser likely never be used to its fullest.

Overall I’d say that the Blackwing is a superb pencil, but just not my type. It is well constructed, has convenient ideas and is super smooth. But I prefer more precision in my writing and drawing and need a finer point for that. I’m also no a fan of the darkness that softer pencils provide. I like being a little more in control and a little bit lighter. That said, the shading is amazing and the tonal range is phenomenal. It wouldn’t be my greatest pencil of all time, but I can see how it would easily be someone’s.

Review – General’s Woodless Graphite Pencil Comparison with Cretacolor Monolith

Posted on April 30, 2014 by Dragon Co (Austin Smith)

So, last week I reviewed the Cretacolor Monolith all-graphite pencil. This week I was going to review the General’s Woodless pencil, but I realized how similar they are, so I will simply be talking about the differences in the two.

The General’s pencil had (I have an older one) an inferior set of markings on the side that wore off quickly and easily. If the newer versions have a similar ink I’d say this is a downside as you can’t see what you’re using. The outer coating is a darker color, which has no real effect except aesthetics. And the back end is a bit more flat.

Is the quality the same? I can’t tell for sure, as they both seem the same, but if I must hazard a guess I’d say that the General’s pencil is a bit more fragile. But for all I know they could be made by the same company.

All in all I’d have to say that if you were going to pick between the two it might not even matter. Whether or not your local store (or where you shop most) carries them, and the color are the two biggest factors I can think of. Really it’s just a toss up. (But don’t actually do that: the pencils might break!)

Review – Cretacolor Monolith 9B All Graphite Pencil

Posted on April 23, 2014 by Dragon Co (Austin Smith)

There are always new things to be done with old inventions. They could just be a novelty, or improve the invention quite a bit. And when searching around for pencils, one may come across the all-graphite pencils that have been around. Today I’ll be looking at one type of these, the Cretacolor Monolith.

Well, the body of that pencil is nothing to talk about, really. It is all graphite with a thin finish and white text giving standard supply information. There is also a bar code. Really, there is nothing to talk about as all of the pencil is the same material.

It isn’t particularly fair to say that I’m just reviewing the pencil in this case, as the pencils will vary highly based on the grade of graphite used. I believe they all have the same hard graphite and finished outer shell. But my particular pencil here is a 9B which is very very soft indeed and means that this particular pencil has trouble keeping a point and wears down very quickly. On the other hand, it can be used to create a magnificent array of shading effects. I have had no problems with snapping, even with the points, but I wouldn’t expect to drop it and have a complete pencil come out of it. They do feel quite fragile. There is also the waste factor from sharpening the pencil, especially when it has been well used, will lose a lot of graphite (I’m not sure what this means when compared to all of the wood lost in standard pencils but I thought it worth mentioning) This can be avoided by sharpening the pencil by using it on its side as a shader. Using the pencil in this way also creates a marking area that is larger than almost any other art supply until one gets to brushes.

Overall a graphite pencil has its special uses, most notably with coverage, but is also fragile and not entirely unique. It’s like a charcoal stick that is much more well-behaved. So I would say it is worth a shot to try one and see if you like it. If you’re prone to using only the point of a very sharp pencil this might not be for you. But if you want flexibility in line width and color (especially with a softer pencil), then this might do some amazing things for you.

Review – Faber Castell Black Velvet Pencil

Posted on April 18, 2014 by Dragon Co (Austin Smith)

If you’re at a second hand place, or a garage sale, etc, and looking for art supplies, you might wonder wether or not a discontinued item you find is a good thing to pick up or not. This might be the case with the Faber Castell Velvet pencils, of which I am covering the black ones here.

The body of the pencil is nice and round. Its a fairly solid piece of wood with a wonderful grippy, but unintrusive coating. There is a simple eraser on the end, which, if it has been stored poorly or even suboptimally, will quickly become useless. The size of the body is slightly thicker than many other pencils, making it easier to handle and more comfortable to write with. On the side, over the black all information is stamped into the side, with some covered in gold.

The lead itself is a soft number 2. It shades well, and writes smoothly. Really, it is a very middle-of-the-road lead. It has nothing particularly special. It is of average diameter and isn’t prone to breaking. It is quite good for sketching, but might require several other supplemental pencils.

Overall I’d say that if you’re looking for a decent all-around pencil and can find these cheaply, they’ll do the trick. They aren’t up to the super-high-quality standards of modern Faber Castell products but they do work very well. They are more comfortable than most other inexpensive, school-like pencils and can do just a little bit more. Check them out if they seem reasonable.

Review – Pentel Finito Porous Point Pen

Posted on April 9, 2014 by Dragon Co (Austin Smith)

Looking for a porous-point pen, and none of the standard ones are doing it for you? Maybe you might want to look at the Pentel Finito porous-point extra fine pen.

The cap is all plastic, with a clip molded into it that does the job, but isn’t spectacular in any way. Inside is a small piece of plastic that covers the tip and is held in place by a spring, keeping a tight seal on the tip. This is visible through the clear plastic of the cap. The barrel is a black-covered plastic and has all necessary info on it. The grip section is clear and through it one can see the fins of the feed and a small bit of the ink reservoir. The grip section is very smooth and can easily become slippery. After a small bit of metal tapering, there is an extra-fine porous point at the end.

The ink is fairly black, and fairly standard, not really permanent or fade-proof. The point does spew a lot of ink out: in fact, I would tend to call this pen a fine rather than an extra fine point due to the sheer amount of ink it leaves on the page. This makes the line considerably wider than just the point of the pen. This gushing also leads to points of bleed-through that are not seen in higher-quality porous point pens like Sharpies or Microns.

Overall I’d say the Finito is a mediocre pen that has no purpose as an art supply. There are many pens out there that do what this pen does better, and for the same price. If you want a pen that gushes, or will not dry out for long periods of time this pen may be worth a look, but I’d try something else first.

Review – Papermate Flair Part 2 Red

Posted on April 2, 2014 by Dragon Co (Austin Smith)

A while back I reviewed the Papermate Flair pen, and I was going to say that this was a review of the red version of the same pen; but really I intend this as a continuation of the last review after some more use, and as a review of the red color for the pen.

I can confirm that the inner cap will keep the tip dry for extended periods of time. The clip is very difficult to use and is easy to get bent out of shape. And while the black pen has a problem with the color rubbing off, the red has no such problem.

The red color itself is more of a pinkish, and it’s kinda washed out. The line for the medium is spread out enough that it is very noticeable as a not-quite red. It isn’t very aggressive, so if one was grading papers and such and wanting to use something that didn’t offend the viewer, this would work. However, as far as I can see there are no other practical applications. Perhaps marking on technical drawings, but again there are easier and better solutions. Using the pen on a very absorbent paper will make a much deeper color, so that is an option.

Overall the Flair is still a great pen, but I wouldn’t recommend the red color as it is not a very strong red, or a good covering color.

Review – Pilot P-500 Rollerball Pen

Posted on March 26, 2014 by Dragon Co (Austin Smith)

When I was a kid I loved the stationery section, and office supply stores were like candy stores to me. One day at one of these stores (Office Depot?) my parents bought me a pack of pilot P-700s which I loved and used for almost all of middle school and some of high school until they all got lost or dried up. I liked them so much I only did personal work with them and not any regular school work. Recently I found a P-500 (one size smaller) in a store and decided to see of they were really as good as I remembered.

The cap of the pen is clear, with a little black bit in the top.There is a visible small black bit inside to keep it dry. The clip is metal and very tight, it’s got a ball on the end and very easy to slip into a pocket. It has a 0.5 printed on it to denote the size. The barrel has all necessary information printed on it (extra fine). There is a granite texture covering it with a clear end ball. The grip section is ribbed and very grippy for how slick the plastic is. There is a gradual slope to a very thin metal rollerball point. The section is clear making the ink supply visible.

The line is an extra fine (0.5mm I’m guessing) and is advertised as being precise, which I have a hard time believing with any gel ink pen. Maybe it’s just my hand, but when writing or drawing with a gel or liquid ink pen everything just slides all over the place. This pen is no exception, though I will say that it puts ink where you tell it to put ink and nowhere else, and does it very consistently.

The inks color is black, almost the same as the pilot G2 black but a little warmer and a little lighter. It is a very good black for almost all writing and drawing purposes. It doesn’t cover well, but who uses an extra fine pen to cover anyway? The ink is very consistent and really nothing special in any of its properties otherwise. It flows as well or better than one would expect from a pen of this price-point.

Overall, these are great pens, both for writing and drawing, but they are not technical pens and cannot replace them for a finished product. They are comfortable to hold and smooth writing. Just better enough than other pens to justify their price. They are a good in-between or starting pen, but not to be used for a finished product.

Review – Manuscript Calligraphy Scroll 4 Nib

Posted on March 14, 2014 by Dragon Co (Austin Smith)

So this week I’ll be doing a quick review of the Scroll 4 calligraphy nib by the Manuscript Pen Company.

The scroll nib concept is simple enough: it splits a regular italic nib with a second slit and a notch out of the middle, thus creating two lines when applied to the paper. The Manuscript scroll 4 has this simple design, with “No.4 Scroll England” stamped into it as well.

Writing is much easier than with a standard calligraphy fountain pen nib. The feed seems designed to keep up very well with all kinds of calligraphy nibs. Very little pressure is required to write and may even hinder performance at times. Each line is about a millimeter wide with one being slightly smaller than the other. To write with this nib, one must adjust their calligraphy a little bit but not very much, it is a very easy nib to use, though even with gentle use the small tines get misaligned every now and then, causing them to pop and either momentarily spit a small glob of ink or skip.

Overall this is a fairly nice nib that is well suited to its purpose of calligraphy, and while it doesn’t have many other (if any other) uses, it is still quite fun to play around with sometime, and this particular one doesn’t cost much.

Art Supply Critic

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