Review – The Fine Touch 3-Brush Set (1-,2-, and 3-inch Flat)

I’m not a painter, or at least, not very often. Painting is expensive, time consuming, and space requiring. But nowadays there are budget products that are easing the “pain” a little bit. Bopping in to your local superstore and buying a set of brushes with a canvas or two for less than $20 is incredible. And “The Fine Touch” is one of the more visible brands (in my area at least) selling inexpensive painting supplies, like a set of three 1-inch increment synthetic brushes. Do they really work though?

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Despite the common wisdom for years being that natural hair brushes are superior to synthetic nylon ones, they have made some improvement in quality over that time. I don’t know if the best synthetic brushes are better than the best natural ones, nor would I claim that these are better than any other brush, but I personally prefer the little extra “bounce” the nylon provides, and they’ve worked quite well for me over several painting projects.

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The basic structure is the same as virtually all paint brushes: a wooden handle with information printed on it (varnished in this case) shaped like a paddle with a ferrule on one end that holds in a set of bristles. Conveniently, these also have a hanging hole at the end for easy storage. Everything about them is cheap; the wood is lighter than the bristles, with brush strokes in its finish and burs on the drill holes; the ferrules are a flimsily metal (which will likely rust) that has either cracked or slightly splintered each handle in the fastening process, and the bristles have a bad habit of falling out during the first few uses.

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So obviously they aren’t “forever” brushes, but for what they are (cheap superstore brushes) they are entirely adequate to paint with. If you only have a couple projects, just want to get some paint down, or feel the need to ease into things you might not know you want to do “forever”, then they will work just fine for that. You won’t become a master using these, and you might get frustrated with the bristles in your paintings, but they work, and for just getting started, that’s enough.

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Review – HŌM (Home Essence) Black Linen Journal (Pocket book)

Sometimes, my weakness for inexpensive notebooks does actually lead me to a bad one. In this case, I was aware starting off that the HŌM Linen Pocket Notebook was only a serviceable notebook, and just barely above the many unusable notebooks that one can find on the shelves at Wal-Mart. But maybe I’m a little harsh sometimes. How bad could it be?

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It’s a standard little black book: 3½ x5½, with 100 sheets. Most of the “luxurious” features are omitted (no pocket), but there is an elastic band attached via a grommet on the back cover. The cover has a slick “linen” finish that is easy to scratch but hides it well. It’s a soft cover with straight corners that get dinged easily. The whole thing is nice and springy, but the finish quickly starts separating from its cardstock backing with use. The whole edge is “gilded” in a neon color (mine’s green) that matches the elastic band.photo 2-66

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The paper is an off white and ruled at close to ⅓rd inch (which is way too big). The ruling doesn’t go all the way to the edge of the page (which I really dislike), and the margin is wider at the top and less wide at the bottom (which I don’t really care about). The paper feels quite thick, and the grain is pretty boring (it’s not slick, it’s not rough, it’s just… weird feeling). It performs fine with ballpoints and pencils (minimal showthrough), and it does better with fountain pens than one might expect, but bleedthrough is still present. Smaller felt-tip pens do fine, but, not surprising to anyone, it can’t handle Sharpies.

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This notebook strikes a few bad chords with me: poor (neon) color choice, easy to damage softcover binding, and wide ruling (I didn’t expect it to play nice with fountain pens, but it didn’t impress me). And the rest of the features don’t really make up any ground. It’s far from the worst notebook you can find on the shelves of your local department store, but it’s not really worth looking at.

Review – Crayola Erasable Colored Pencils

I’ve looked at Crayola’s regular colored pencils in the past, and I’ve been known to go into far too much detail about the color and quality of what are ostensibly children’s products. In this review of Crayola’s erasable colored pencils I will be concentrating on the “gimmick” as opposed to the colors (in other words, I won’t be looking at the 24 colors from my box individually). So, do erasable colored pencils do as they say on the tin?

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First, a quick note about the aesthetics, which have changed from your standard Crayola pencil. These retain their round form with the addition of a ferrule and color-coordinated eraser at one end. The name of each of the colors is printed on the barrel, but not embossed into it, and little white designs have been added to the front and back over the color-coded label. Each one also has a large uneven white patch in the middle containing a couple logos (and “f6b”, which I assume is the hardness). I think this re-design is poorly conceived, but it is a product for children, and doesn’t affect the use of the pencils.

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When put to paper, the pencils feel a bit more waxy than the standard set. It’s a kind of unnatural and unpleasant feeling with the colors being a little more faded and uneven than the regular pencils. There is a little bit of blending that can happen, but it is splotchy and sometimes one simply covers another (I didn’t test with mineral spirits for blending, so I don’t know how this formulation would react). And finally, the erasability is… better than one might expect. All of the colors erase to about the same degree, which is not totally, but there is only the faintest wisp of color left on the page. It’s pretty comparable to erasing your standard graphite pencils, and it seems to work with most erasers (even gum ones, though they don’t work as well), not just the strange cheap ones that come attached to the back of the pencils.

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So yeah, they work essentially as advertised. It’s not the best erasing experience but it beats not ever being able to change a mistake, and that, combined with the better blending, makes these, in my opinion, the better artist’s tool. But they’re still not comparable to higher-quality artist pencils. At school or whatnot, these work especially well as map colors (unfortunately, probably the most common use of colors in school), allowing you to fix minor mistakes. If that’s the kind of thing you’re looking for, these definitely fit the role (and they’re a couple bucks for 24, which is super cheap).

Review – Pilot FriXion Highlighter

While I have reviewed highlighters before, it is a fairly rare occurrence, mostly because we all know what a highlighter is and how it works. For the most part, what brand of highlighter you buy doesn’t even matter; they all do the same thing. The companies producing these products know that, so occasionally they find a new gimmick to get you to buy their specific product. Most of these gimmicks are pretty silly, but some, like adapting the Pilot FriXion pen system to highlighter form, might actually be useful if they work.

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The body of the pen is a bit ugly-looking. On top of the back end of the barrel there is a tattoo-esque design that doesn’t quite look right with the words “remove by friction” in n boring font, all in miniscule. On the very back end is a dome of frosted hard-rubber that serves as the “eraser.” The cap is a translucent plastic, matching the ink color with an integrated clip that slopes off a flattened tip. Popping it off reveals a slick black section ending in a chisel-point porous tip. The “Pilot” and “FriXion” logos are the only real information included.

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My particular three-pack came in orange, pink, and yellow. The colors are about what you’d expect but when compared side-by-side are noticeably paler than your standard highlighter. They are still bright and easy to see, while allowing text to be seen through them, and keeping smudging to a minimum. The real interesting thing about the FriXion line, though, is that when friction is applied (or it’s, you know, heated) the ink is “erased.” There’s definitely still something there, but whatever was underneath shows through, so the ink becomes transparent. This actually works surprisingly well; you’ll never fully get the ink to go away without a trace, but it looks much nicer than a bright highlighted mistake staring you in the face (the originals were ballpoint pens, which are nifty but kinda defeat the purpose). Now this obviously has archive-ability problems, I was able to use a flame to make the ink disappear and I don’t think heat or sunlight will do it well, but for something like highlighting I’m not sure that’s a very big deal.

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Wet ink will smudge when writing, inkjet printer ink will smudge when erasing.

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I’ve had a really good time using these pens they’ll probably end up somewhere in my system. I’m not a big highlighter person (I’ve never used them in books, for instance, and I don’t plan to in the future) but I’ve turned to them for marking off items on to-do lists because they have a cleaner look than “crossing out.” And for that, these little guys work perfectly. I never have to worry about making a mistake (and I can draw silly little pictures or whatever).

Mini Review – Zebra 1.6mm Bold (F-301)

The Zebra F-301 is my favorite pen. It might not be the best pen I’ve ever used, but it is sturdy, good-looking, and reliable. Recently I was grabbing some new ones and mistakenly picked up the Bold 1.6mm version. As some of my readers may know, I’m more of a fine-tip person, so I had to go back and get another set. But a broad tip still has its place. In many cases it can make the writing process smoother, prevent hand cramps, and make the final product more legible. So how well does this version work?

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The body is no different than the regular Zebra F-301 (save having “1.6mm” printed on the side) and it does not affect the function of the pen in that regard. The only real difference is the tip, which is considerably larger (being more than twice as big as the “fine” and half-again as big as the “medium”). The ink hasn’t been adjusted for the size, as becomes evident when the pen is left for a time and the tip dries. However, aside from minor startup problems resulting from that dry ink, the pen is remarkably smooth, especially if one has a firm hand.

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If you’ve ever found yourself frustrated with the small size or stiff writing of a standard ballpoint, but still want the general water-fastness and convenience of one, this might be the pen for you. It’s a thick-line (thicker than I personally like), smooth-writing pen in a solid shell.

Review – Field Notes Pencil

Field Notes has made a name for themselves creating (or branding) basic but well made items for note taking and such. Their notebooks balance affordability with quality, and their range of accessories attempt to do the same. The Field Notes pencil (like the pen I’ve looked at before) is on its own quite a bit more expensive than most similar pencils, but they are often included as a free pack-in item (like their pens, calendars and rubber bands), so you usually don’t have to buy them straight out. But are they any good?

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The body has basically the same dimensions as your standard round pencil. The wood is a nice, unfinished cedar, with large amount of information printed on it in black. Attached to the back end is a nicely fitted aluminum ferrule with “green” green eraser. Everything is very precisely manufactured and it feels/looks great. You get more printed information that average, like the: brand, website, lead hardness, materials, and inventory number. It’s all laid out clearly and printed cleanly.

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The performance is about what you’d expect. The HB lead is a little rougher than some, but it goes down relatively dark while not eroding the point too quickly. The eraser could be better, but it does its job and there’s quite a lot of it to use (it doesn’t disintegrate immediately like some others do). I grew up with round pencils and I prefer their feel, so I think the ergonomics are quite good: it gives one a little more to hold on to, but it will more easily roll off the table. But the most surprising thing upon picking it up is how light it is. When brand new, I can actually feel the weight of the ferrule/eraser pulling the back of the pencil down a bit, which is a very unusual feeling, but you get used to it, and the lightness is wonderful for longer “penciling” sessions.

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It’s a relatively high quality pencil that I don’t think you can get anywhere else (unlike the Field Notes pen, which is a branded Bic Clic), but I’m not sure they’re worth the nearly $1 (83¢) asking price. They’re as good as or better than the name-brand pencils you find at the store (Dixon, PaperMate) but they’re at least twice the price, crossing the border from regular writing pencils into budget sketching pencils, with which I don’t think they compete. They’re good pencils for what they are, but I’m not going to be ordering a set anytime soon. Still, they make a nice bonus when opening your Field Notes packages (as are all the little things Field Notes puts in as extras).