Review – Bic 4 Color Original Pen

For as much as they are almost “looked down” upon in the world of writing implements, and for as cheap a product as they are, Bic pens are very sturdy and reliable line-making machines, with newer ink formulations making them smoother than any pen in the price range seems to deserve to be. Their simple and effective designs have endured the tests of time, making the Cristal ubiquitous, and others, like the 4 color pen, an oddity many have toyed with and some people swear by. Is combining 4 pens into one really necessary? Probably not. But does it have convenient uses for those who still write thing down? Let’s take a look.

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The body of the pen is quite simple, with a retro vibe that probably comes from the design being relatively unchanged from its introduction decades ago. The main barrel is a light blue (or orange for the fine version) cylinder making up 2/3 of the length that begins to taper as it gets closer to the writing end. On top of this is a black band, which connects to the white top. This top section has a very “angular” molded-in plastic clip, a lanyard hole/rotary telephone dialer on top (rather intrusively), and 4 slots in which 4 plungers of different colors sit. When one of the plungers is depressed, a pen tip of a corresponding color pokes out of the front. Unscrewing the blue portion reveals that the mechanism here is quite simple: the 4 ink tubes (with tips) are situated equally distanced from each other inside the barrel. When one pushes the plunger, an ink tube is moved forward and bent via the barrel taper to come out the hole in the center, and a catch holds the plunger down until depressing another one causes it to spring back up. Unfortunately, the way things are constructed, the ink tubes are not replaceable, so if you run out, you’re stuck. The only other thing on the body is the Bic logo and “made in France” molded into the side of the white upper portion. It’s nice that it won’t rub off, but it doesn’t give you very much information to go on.

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The performance is decent. The inks are quite smooth for a ballpoint, and don’t cramp the hand too much, but there is more blobbing than I would like and some of the lesser-used colors (like green) often have startup problems from dried ink on the tip. Despite being a shiny plastic, the pen holds well in the hand. Being a bit larger than your average pen to accommodate 4 ink tubes, it has more surface area to hold on to and it isn’t slippery. It might not fit in some smaller pencil holders, though. I’ve taken a look at the more common Bic colors before, and they aren’t changed here. All are a bit more wimpy than I would like, especially the green, followed by the red, but they go down well and are recognizable while having the standard ballpoint advantages like being water-fast. The clip is pretty bad if you ask me, having almost no flex, but it will probably do its job.

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For art, this pen probably isn’t worth considering unless you’re challenging yourself. But for those that like stay organized with different colors in their planners, need a red pen and don’t want to keep track of 2 pens, or don’t want to run out of ink on the fly, this is a pretty good option. It’s got a nice retro feel if you’re into that sort of thing (understanding that it’s a little unprofessional) and even through it’s disposable, the materials are quality enough it won’t fall apart on you. For someone like me, who carries around 4 pens in 4 colors this might be a lifesaver. It’s not the end-all pen, but it’s a nice office-weight pen, designed to be inexpensive and get things done, which it does quite well at.

Review – Crayola Triangular Crayons

Are regular crayons too small for your hands or prone to rolling off your table and getting all over the floor? Don’t worry, Crayola has your back with triangular crayons that “promote proper writing grip” and are “anti-roll®” (that registered sign isn’t a joke by me, it’s actually on the box). They are available in your standard pack of 8, or, as in my case, 16 (and maybe larger packs, but I can’t find any), and I’ve been seeing them pop up in stores recently*. But are they the right fit for you?

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From what I can tell, the colors here are exactly the same as in all other Crayola crayons so I won’t be going over them here (ColorsReview). The pack comes in a standard cardboard box (a little rough around the edges) with a cardboard tray inside and two plastic dividers to hold the crayons in place. It’s a pretty sturdy system and none of my crayons were broken or significantly worn.

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The bodies of the crayons themselves are quite a bit larger than your average crayon, being triangular in shape (with rounded corners) with each face being just shy of a half an inch wide. They’re wrapped with a craft-paper-esque standard Crayola wrapper and have a step down about a half-inch from the front followed by a triangular point. From the box they are super comfortable, resting nicely in the hand with the paper being both warm-feeling and giving enough friction to prevent the hands from slipping. They work well both for children without fine motor skills and adults with larger hands (though the grip is actually surprisingly small). And they perform just as well as any other Crayola crayons (that is to say, very consistently and pretty good for a wax crayon, but not much use for blending or layering).

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I’d say the gimmick works, if you (or whoever you’re buying them for) were having problems with regular crayons being uncomfortable, held wrong, or in a constant state of rolling off the table. They are a fairly inexpensive solution, though that shows: imperfections in the wax mixture and paper application are readily apparent (with several noticeable chunks of crayon missing in some places). Maybe that’s just my pack, maybe Crayola’s manufacturing standards are going down, or maybe they were always like that and I didn’t notice. In any case, they are effective in design for both children and adults, and probably worth the little extra cost in crayon mass alone.

 

*Despite the fact that I peruse office/art supply aisle frequently I miss things just as frequently, so they might have been there before.

Review – Simple Pencil Extender

Pencil extenders are something I haven’t looked into very much. I am able to “comfortably” use a pencil well into a stub, and would just as soon have that stub as a backup and get a new pencil when it gets smaller (and now I’ve mostly swapped to mechanical pencils). But that does mean I have quite a few stubs lying around, and maybe with some inexpensive “Chinese” (don’t know for sure, but it seems likely) pencil extenders I can breathe new life into them.

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This one is a bit of an anomaly to me as I didn’t get it myself (it was a gift), it has no identifying markings, and I can’t seem to find it specifically online anywhere. I have found an eBay listing that highly resembles it, but I don’t quite know about it. Still, it is strikingly close to other, more hexagonally shaped versions that can be found all over the place and likely use the same collet.

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The device is immensely simple: a rounded wooden dowel is crimped to a tube of metal with a slit near one end and a separate metal band wrapped around it. When a pencil is inserted into the metal tube the band can be slid down to tighten and secure the pencil stub in place. It’s basically a collet that slides instead of screws, and while it works there are some problems. For example, the pencil stubs that can be used must be of a very specific size. Standard hexagonal pencils fit (think Paper:Mate Americans) but the larger art pencils and every round pencil I’ve found (including all colored pencils) have been too big. In general it seems a coat of paint is all the difference it takes between fitting and not.

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And even when a pencil does fit it isn’t held very securely. Sliding the metal collar does clamp the collet tube down a bit but a good tug and the pencil comes free, though it is held in well enough that typical shakes don’t knock it loose. And the metal tube itself isn’t very well fitted to the wooden body and the two can easily be persuaded to part ways.

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Still, with the cost seemingly being almost nothing, it does a tolerable job. The pencil is held securely enough to write with, and can be used comfortably as long as there is still pencil to grip (the collet is not a nice bit to hold on to). It is fairly lightweight, which is good for portability but bad if you really want your pencil to feel the same as it did when it was longer. And even though the construction is shoddy they cost about as little as a pencil or two so if they help you finish a couple they’ll’ve been worth it.

Review – Kokuyo PS-FP102 Mechanical Pencil (.7mm) (DM)

In a time where a lot of companies are trying to re-invent the wheel with their pencils, Kokuyo from Japan has made a relatively inexpensive, minimalistic, and comfortable mechanical pencil. The PS-FP102 (Pencil Sharp {my guess from the website}) omits several things that could be thought of as standard, and uses that effort on a sturdy and comfortable design (that is, from what I understand, ostensibly for children in school). Is the trade-off worth it?

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The body is one of the simplest to be found on a mechanical pencil, being mainly a vaguely triangular-ized (at least the “frosted” versions are triangular) cylinder with a rubbery coating for the 4 ½” body. Sticking out a quarter of an inch on the back is the click-advance button, and five eighths on the front is a plastic cone, from which a smaller metal “lead-pipe” can emerge bringing the total length of the cone to three quarter inches. Printed (maybe stamped or adhered) on one of the facets is all of the information about the pencil (which seems like it will rub off in the future but has withstood use so far).

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The body can be unscrewed at the cone, revealing that the rubberized triangular barrel is just a sheath, and the cone mechanism can be pulled from the front. As far as I can tell no further takedown can be done and neither of these operation provide any real benefit that I can see beyond checking how much lead is in the pencil (through a convenient window {the view on my frosted black version from the outside is blocked}) and perhaps clearing out the front mechanism.

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Writing performance is good; the lead is a .7mm and presumably HB (there are also .9 and 1.2mm versions). It’s a bit too thick for what I usually like to write with (.5mm) but it is fairly break-resistant and smooth, which would be good qualities for a school pencil, and from what I understand that is what it was originally designed for. There is no eraser or clip (though there is a version of the pencil that comes with a stand-alone eraser and friction-fit clip) and instead of having to remove a back piece to insert lead there is simply a hole just big enough to fit the lead through that lead can be fed into. Once it has been pushed all the way in, it enters into a larger reservoir and will not likely find the correct angle with sufficient force to come back out of the hole. It’s honestly a pretty elegant lead-feeding system if one doesn’t care about having an eraser.

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The click-advance mechanism is very smooth and workable, but unsatisfying. The metal “nib”/lead-pipe at the front does retract and advance with the lead, neatly preventing any damage that it would cause but being a bit fiddly (it’s easily possible to retract the lead and not the metal piece, which is a bit of a strange situation). And the rubberized, triangularized grip is very easy to hold, not slippery at all, and quite comfortable (though not my preference), especially for hands just learning to write (it keeps fingers in the proper orientation). I must say, though, that it only barely resists rolling off the table more than its round counterparts.

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So instead of an eraser or clip, this pencil provides an elegant lead-feeding system, comfortable and chucky triangular grip, and a stow-away point. All of which make it a good fiddly-bit-free pencil for students, and with a slide-over clip and external eraser (the integrated ones are never enough) it might also be a preferable one for artists or in the office. For the mostly reasonable price of ¥180 (≈$1.55) it’s a solidly designed, well built little pencil that seems like it would last under a bit of stress and is certainly worth checking out if you want a triangular grip or to forgo the standard integrated eraser for greater lead convenience.

Review – QuanTum Computer Pencils

Recently, I’ve gotten my hands on a few inexpensive pencils from Thailand. And at 12 Bhat (34 cents) for 2 pencils and an eraser, the QuanTum Computer Pencils are fairly cheap and meant mainly for school work. But would they hold up?

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Most of the information printed on the package is in Thai, so the most I can get out of it is that it’s a pencil, but the information printed on the body itself is in English, which is nice for people like me. The bodies are a simple, wooden hexagonal design with one rounded end. The two in my package have silver and gold painted bodies up until the last ½”, where there is a slim band of white paint followed by black for the end. Printed (notably not stamped) on of the facets is enough of the pencil’s information to get you by.

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Out of the package, the tips of these pencils were poorly enough cut that I needed to sharpen them before being able to use them (the lead is centered, just poorly cut). The graphite itself is softer than “standard”, being a 2B, but it’s on the harder side of 2B. The very (tip) point wears off quickly but it takes some time to wear it down after that. Writing or drawing is fairly smooth and getting dark patches for test answers would be/is easy (I don’t have a scantron laying around to try it on, but it gets pretty dark). There is also a black “perfect for 2B” eraser included in a tiny card sleeve. This eraser is surprisingly good, especially with this pencil; it gets rid of almost any trace of writing besides the indent in the paper, and does so quite quickly. It is one of those that seems to evaporate when you use it, though, and there are quite a few “shavings” to sweep away (also the package says “dust free”, and I have no idea what that means).

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I’d call these certainly adequate for what they are trying to be: school test or general use pencils. They function perfectly well but have a few quality mishaps, and I personally am more of an HB to F kinda person for my art/writing. If you run across them they’ll likely get the job done, but there’s no real need to go out of your way (like to Thailand) to find them.

Review – Faber-Castell Grip 2020 Ballpoint

Sometimes the basic problems of a cheap ballpoint pen can just get to you. Many ballpoints have a round or hexagonal design that can lead to hand cramping or slipping while trying to write with thick, uncooperative ink. You see additions like silicone rubber grips occasionally as a remedy in the US, but apparently in places like Peru they have attempted to remedy these problems directly in the design of the pen. The Faber-Castell Grip 2020 boasts an ergonomic triangular design, with as studded grip and “smooth writing” ink. But how well does that improve performance?

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The body is a simple, translucent, subtly triangular-ized cylinder with 150 small rounded “studs” for grip evenly positioned on the faces. The cap is round, with an integrated clip, and it has the relatively unique feature of sliding “under” the barrel rather than over it with the required step down being about the last quarter of the cap. Underneath the lip holding the cap in place there is a slightly tapered cone, friction fit over the ink tube; this cone can be removed, allowing the ink tube to be replaced. At the back there’s a stopper that steps down near the end, forming a space between it and the body where the cap can be posted. Over this stopper, on two sides of the triangle, there is written material: stamped in silver lettering is “Faber-Castell” and printed on a label is the barcode, model number, ink (and pen) color, and “Made in Peru”. I’m a bit disappointed by that, since, even though it’s on the back, labels on writing instruments have a tendency to get damaged and if that happened you wouldn’t know the model to get a replacement.

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Functionality is quite good. The cap both caps and posts securely while maintaining the “lines” of the pen (the pen flares out ever so slightly in the back so it doesn’t match up as well there, leaving a step down instead of a {relatively} smooth transition). The clip is fine but isn’t very tight and it slips on thin material (its attachment point and the plastic it’s made of are surprisingly rock-solid, though). The ink is smooth as promised, coming out of a very medium tip (broader than I like, to be honest). For all intents and purposes it is the same as the other Faber-Castell made-in-Peru pens, maybe a little bit darker, and with blobbing being present, but not nearly as frequent as the other models I’ve looked at (counter-intuitively {usually wider tips on ballpoints leads to more blobbing}).

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It’s a very nice little pen. For my personal daily use I prefer something shorter and with a finer tip, but this pen is comfortable, easy to hold, smooth writing, and doesn’t slip. I also really like the cap and how it doesn’t expand the circumference of the pen (save for the clip) and is probably less prone to crushing or cracking. If they managed to make the clip a little better, and offered the top in a fine I would seriously be looking to import some to use all the time. So if you’re looking for a simple, relatively inexpensive, comfortable, and durable (the plastic is very solid feeling) pen, and don’t mind importing, I’d certainly give this one a try.

Review – BIC Cover-It Correction Fluid

In what seems like fate’s attempt to make my reviews less relevant immediately, I discovered another type of correction fluid in the store just after I had made a comparison review. Curiously, it’s made by BIC, who already own Wite-Out and Tipp-Ex, and it’s the same volume per-bottle as Wite Out, so I don’t know why they need another brand of white paper paint. Is it really any different?

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The container is very simple (the same as Tipp-Ex it appears). The main body is cylindrical and screwing on to the top is an octagonally-faceted cap. Inside, suspended from that cap, is a bristle brush that does go down pretty far into the container, but I haven’t accurately determined just how far. The fluid itself goes on smoothly, and even with the brush there are minimal stroke lines. Dry time is decent but far from instant, and when dried the mark is matte while being on the cool side of off-white. Coverage for pencils, pens, and other mild inks is good (there is an indentation where the fluid is displaced but that’s the same with all BIC correction fluids), and it even does a decent job with permanent marker, but it starts to show its limits there.

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If I were to compare it to other correction fluids I’d say that it’s almost the coverage of Wite-Out extra coverage, while being a little more on the cool side of the color spectrum. It covers better than Wite-Out quick dry and is more matte and paper-like than Liquid Paper. So it is ever so slightly different. But I’m not sure it’s different enough to warrant its production. Perhaps at store prices it might be a bit less expensive but online it is quite comparable in price to BIC’s other correction fluids, and it’s not in a very nice package. It will get the job done, and done quite well (I’d rather use it than regular Wite Out quick dry) but I don’t see why it isn’t another Wite-Out variation.