Review- Ritepoint Chromatic

Every once in a while I like to take a look at something vintage and see how well it stacks up. Plus I’ve got a soft-spot for slim, fine (line) writing pens. Now I’m not entirely sure as to the status of the Chromatic (or Ritepoint, or whoever) but it does seem these pens (and refills) are discontinued, but easy to find online. Is it worth it to snag one?

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The pen body is very slim and stylish, reminiscent of the Cross Century. It’s a smooth cylinder, with a gold-banded break for the twist mechanism and tapers at the back and front. At the fron,t a third of the taper is in the form of a gold-colored metal cone, from which the point extends when the mechanism is engaged. The back taper terminates more abruptly and affixed to it is a fairly solid, basically flat clip that runs almost the length of the back section.

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The action of the pen is strange enough that I’m not sure it’s working properly. Turning the back half of the pen clockwise a quarter turn will extend the ballpoint and lock it into place. From there twisting will do nothing until enough force is applied counter-clockwise and the pen “clicks” at which point the tip will slowly retract completely. It’s an interesting compromise system and it works quite well. It’s just that everything feels a bit still and awkward. I can’t quite tell if it needs oil, is broken, or that’s just how it’s supposed to be.

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As for the writing, it’s quite good. My pen has a blue “microtip” cartridge installed. The ink is smooth enough coming out that I can write in cursive, though the lines themselves have some start-up and shading problems (oddly reminiscent of fountain pens). The line width is equivalent to, or slightly thinner than, most “fine” points and the ink properties are fairly standard. The only other function; the clip is better than average but nothing to write home about.

It’s a decent little interesting piece of history, but I wouldn’t say it’s essential for any collectors. And the impracticality of having to hunt down new-old-stock or second-hand refills or fashion your own out of whatever might fit makes it not a good choice for the regular user. If it sounds interesting to you I’d say go for it, but it’s nothing to run out and hunt down.

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Review – Sharpie Mean Streak White

I have a pretty liberal definition of what an art supply is. Not quite as liberal as those who say everything is an art supply because (almost) everything you do is art of some kind. But I do think more qualifies as art supplies than the average person does. For instance I would say that everything meant to make a mark is an art supply. And that assumption will be tested here where I take a look at the Sharpie Mean Streak “permanent marking stick”, and see if it has any real art applications.

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The body is quite large, being about half an inch in diameter. It’s got a good amount of information on the side, but it gets a bit cluttered-looking. The back is a twist knob, like a glue stick. The cap has a slight taper with several ridges for grip. Inside is a pointy cone that can shape or dent the “marking stick” if you put it in slightly wrong. Inside around the “marking stick” (grease, wax, or whatever it is) is a sizable ridge that is quite uncommon on writing implements. There is also no grip section area.

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There are two ways I can describe this, either as a permanent (wetter) crayon, or a more slick grease pencil. Neither of those descriptions really tell you exactly what these things are. The inside substance comes in a pointy cone that is pretty useless. It’s very putty- or grease-like and when used the point becomes very flat very fast. It writes similarly to a crayon, in that it isn’t easy to control or sharpen. When the tip is flattened beyond a certain point, the base can be twisted to extend the point, but it can’t be retracted, so remember to not twist it too far out (that shouldn’t be a problem unless you’re an impatient reviewer like I am). The feeling it has is very slippery, and quite a bit of material comes off for not a lot of writing, but there seems to be quite a bit of it in the barrel, so running out should not be a major problem.

Performance is a bit disappointing. The white color doesn’t cover very well at all, meaning use in art as either correction or even to mix with other colors is very limited or would require re-application. It can be used as a covering to make things “hazy” but the coating is quite unpredictable. It likes to clump up in certain areas and barely cover others at all, meaning detail work also shouldn’t be done with it. As far a permanence goes, it is, but not wholly. I did testing (not just normal use) on metal and paper. Both were reasonably water-proof, on metal flame did nothing to it and on paper it did resist the flame but once the paper burned it did too (not that anything else would have happened). Then on the metal piece it stood up to WD-40, which has a knack for removing regular Sharpie, but was easily wiped away by isopropyl alcohol. I also suspect it could fairly easily be scraped off or crack easily on pliable surfaces. It does go on whether the surface is wet or dry as advertised and does dry in a fairly short amount of time for how tacky it is to begin with.

I would still consider this an art supply, and it can work well in mixed media, but really it is much more at home in the garage or the toolbox. The tip and lack of sharpening or controlling method means it works quite a bit better when marking large surfaces. It is “permanent” in that it’s hard to purposefully get off, but it doesn’t penetrate and won’t wear terribly well. It’s an interesting item, but certainly not a general use-one.

Review – PaperMate Flair Colors – Maroon, Brown, Caramel, and Grey

And now it is time for the final part of my look at the 20 colors of the Papermate Flair pen. This section only has 4 pens, and it’s special because I couldn’t find names for these colors from any official source. So the 4 names presented here are just what I think most represent the colors. Let’s get started and wrap this up.

Papermate flair colors part 4

Maroon – I love a good maroon shade, and this one does not disappoint. It’s easy enough to tell, even amongst other dark colors, what it is, and the tone is nice to look at. It might not be the most natural maroon I’ve seen, but it’s quite good, and sometimes it may even be work compliant. It doesn’t smear much but it’s not the best at resisting water, either.

Brown – The brown is a nice dark, UPS, brown. It doesn’t quite look like dirt, more like bark, and it barely smears. It’s easy on the eyes, blends in with dark colors, and could work in some office settings.

Caramel (error in image where this is labeled as Sepia and Micron Colors are switched) – Caramel is the color I’ve had the hardest time naming. I just don’t really get this light brown. It looks fairly standards, but it’s a bit off from the browns in Micron, Crayola, Pilot, and other such brands. It looks all right, but not the most natural, and most workspaces wouldn’t appreciate it. Although smearing is next to none.

Grey – And the final color is also one of the most boring. Grey is a color I love that isn’t featured in many color sets. And that’s because there isn’t much use for it. In nature I can only think of fog, and in an office only if you convince them it’s just your black pen running out. That being said, it’s a nice dark, even grey with very minimal smudging and feathering.

And there we are, the 20 current colors of the Papermate Flair. I do like them, and even some of the more garish colors are better in these sets than others. There’s a good mix of water resistance, workspace appropriateness, and personality in there. And I would recommend the set if you like tones of colors and like the Flair. But it’s a bit expensive and maybe one should consider the smaller sets if they want specific colors.