Review – Staedtler Mars Lumograph Pencil (F)

“I use these specifically, because I like the nice blue,” is a bit of a paraphrase from a former instructor of mine when discussing what pencils to get for sketching or other artistic purposes. The main gist of this discussion was that it really comes down to personal preference, since there are so many different pencil brands that all make quality products. Aesthetics are important, and Staedtler is known for their deep blue coloring (as well as their quality craftsmanship), and that’s part of what makes the Mars Lumograph iconic, but is it what you should be using (specifically in “F” hardness because I like my pencils a little bit on the hard side)?

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The body is a standard hexagonal shape, with a similar size to your average writing pencil. A deep blue covers almost the entire pencil, save an end cap that is black and a white band just beneath it. On the end cap the hardness is stamped in a silver ink on all 6 facets, and the main product information is rendered in the same color on the back two thirds of the blue area. Opposite this facet a product number and bar code are printed in white.

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This pencil doesn’t really have any fancy features; like most sketching pencils, it doesn’t even have an eraser. But what it does have functions superbly. The wood is light but sturdy (no splintering) and the lead well centered (no weird angles or breaking because of sharpener issues). The lead itself is wonderfully smooth, even with my preference for firmer feedback.

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And that really just affirms the idea that started this off. The Lumograph is a good pencil, it can take a beating and keep on sketching. The materials are good, and the assembly is what you would want. But, aside from it being good quality and easy-to-find, there isn’t a real reason to recommend this over another drawing pencil. If you like the blue, definitely go for them. If you think blue is better than the other choices (black or green in most cases), also take a look. If you’ve been with the brand forever or just find there’s something about the feel that you really enjoy, there’s no reason to turn away.


Review – Zebra DelGuard (0.5)

At first glance, the Zebra DelGuard looks like the popular Uni Kuru Toga and offers a similar lead-break-reducing feature (though without the point protection). The clear plastic section is molded with a similar grip and the body is black-ish and slightly thicker than the average mechanical pencil. Inside, though, is what appears to be a much simpler spring-mechanism that promises to keep your lead from snapping. Does it really do enough?

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The body is a simple, matte-black tube with a small logo just before the center-band. On the back is an attached clip with some printed information, and a chrome click-button cover that easily slips off to reveal a thin, white eraser that easily pulls out to reveal the lead tube. The (grip) section is a black, translucent, and slightly slippery-feeling plastic with some ridges for grip and a slight slope down to a small metal lead pipe.

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Performance of the main features of (mechanical) pencils is good but not outstanding. The clip holds well and doesn’t rip fabric; the eraser removes marks handily with minimal shavings (and a little bit of smear); and the lead is average verging on soft (it is fairly smooth and I like the .5 size). The actual DelGuard system is a bit more dubious to me, though. It’s basically a few springs that allow for a huge range of vertical motion for both the lead and the lead pipe. This means that if the user bears down vertically on up to a few clicks-worth of lead it will simply retreat into the pencil and not break, even with a considerable amount of force. Unfortunately, I write/draw at an angle, and that is apparently extreme enough to mean the lead will snap with an amount of pressure I usually associate with a lead snapping, since the system only relieves pressure vertically. This isn’t really an issue for me; I write/draw softly enough that lead breaking isn’t something I worry about. But it has the same problem for me that the Kuru Toga has; that is, with my writing style, the system doesn’t work, making it completely pointless. This pencil could not have its cushioning springs and be exactly the same experience for me.

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So, as a pencil, it’s a good writer that might be moderately overpriced (it’s more expensive than the Kuru Toga). I’ve gotten other pencils with a similar writing experience for a similar price, but this is nothing special and I personally wouldn’t get it over less-expensive Zebra models, especially since the grip doesn’t feel too good in my hands; I haven’t had it actually slip, but it just feels slippery. If you really have a serious problem with your leads breaking, this might be worth looking into, otherwise it’s just a tossup with similar models.


Review – Kum Pencil Sharpener (Magnesium 1-hole Wedge)

For some time, my preferred on-the-go pencil sharpener has been a (older) Kum brass single-holed design. Recently I wanted another (it’s so tiny you might as well put one anywhere within reach), and, as it turns out, the brass ones are hard to find in the States (possibly because of something to do with lead?); so the next best thing was the same design, by the same company, but in a lighter-weight silver-colored magnesium alloy. At the price, this is a pretty good sharpener, but I’m also gonna mentally compare it to the brass version, which I do find is the superior of the two.

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The design is a super-simple “wedge” shape; a box with a slanted top where the blade is screwed in. On either side, there are ribbed divots for you to grip when using, and besides that there aren’t a lot of “features” (no shaving containment for sure). The labeling is clear and there is a little bit of “decoration,” but the whole thing is pretty bare.

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Sharpening is lovely: the contraption is as small as can be but still easy to hold, everything is machined well for precise angles and the blade is sharp, cutting through all the pencils I tried with ease. The points it produces are slightly shorter than I prefer, but that is a minor consideration: they are still well pointed and easy to use. Here I should note that the sharpener is very light, and feels almost flimsily in the hand. This doesn’t affect the function in any way, and the sharpener is indeed rock solid, but at about 4½ grams when compared to the brass’ 19 grams, it just feels feathery and unpleasant in my opinion. (The edges are also much sharper when compared to the brass version, but that might have to do with wear).

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If you’re looking for an inexpensive, no-frills pencil sharpener that gets the job done well, I’d look into picking one of these little guys up. They are hardy, usable, and portable. In some cases they’re cheap enough to be “disposable” (I got mine for $2, which is half what I was seeing them go for online), but they have easily replaceable blades for a guaranteed lifetime of use (though, in some cases it seems like the blades cost more than the sharpeners). And, even though I think the brass version is superior, there certainly isn’t anything wrong with the newer magnesium one.

Review – Field Notes Pencil

Field Notes has made a name for themselves creating (or branding) basic but well made items for note taking and such. Their notebooks balance affordability with quality, and their range of accessories attempt to do the same. The Field Notes pencil (like the pen I’ve looked at before) is on its own quite a bit more expensive than most similar pencils, but they are often included as a free pack-in item (like their pens, calendars and rubber bands), so you usually don’t have to buy them straight out. But are they any good?

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The body has basically the same dimensions as your standard round pencil. The wood is a nice, unfinished cedar, with large amount of information printed on it in black. Attached to the back end is a nicely fitted aluminum ferrule with “green” green eraser. Everything is very precisely manufactured and it feels/looks great. You get more printed information that average, like the: brand, website, lead hardness, materials, and inventory number. It’s all laid out clearly and printed cleanly.

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The performance is about what you’d expect. The HB lead is a little rougher than some, but it goes down relatively dark while not eroding the point too quickly. The eraser could be better, but it does its job and there’s quite a lot of it to use (it doesn’t disintegrate immediately like some others do). I grew up with round pencils and I prefer their feel, so I think the ergonomics are quite good: it gives one a little more to hold on to, but it will more easily roll off the table. But the most surprising thing upon picking it up is how light it is. When brand new, I can actually feel the weight of the ferrule/eraser pulling the back of the pencil down a bit, which is a very unusual feeling, but you get used to it, and the lightness is wonderful for longer “penciling” sessions.

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It’s a relatively high quality pencil that I don’t think you can get anywhere else (unlike the Field Notes pen, which is a branded Bic Clic), but I’m not sure they’re worth the nearly $1 (83¢) asking price. They’re as good as or better than the name-brand pencils you find at the store (Dixon, PaperMate) but they’re at least twice the price, crossing the border from regular writing pencils into budget sketching pencils, with which I don’t think they compete. They’re good pencils for what they are, but I’m not going to be ordering a set anytime soon. Still, they make a nice bonus when opening your Field Notes packages (as are all the little things Field Notes puts in as extras).

Review – Parker Classic Pen and Pencil Set (GT)

Have your eyes ever glanced over something where you “knew” what it was but had to double take because something was just “wrong” about it? That’s what happened to me when I first came across the Parker Classic pens. I thought they were Jotters, Parker’s very popular, least expensive pen, but something was just… “off”. And indeed it was, after purchasing it and comparing it to my Jotter at home I discovered that it is a bit different (mainly in thickness), but does that improve anything?

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My version (the GT, which I think stands for “gold trim”) is a super simple design. The barrel is a cylindrical piece of stainless steel that screws together in the center. The front third tapers down to a hole, through which the nib protrudes when activated (on the pencil there is a small lead pipe here, extending the length slightly). And the back section of the pen ever so slightly tapers down to the click mechanism. Both the top clicker and the arrow-shaped clip are done in a gold-colored, chrome-like finish, and “Parker – Made in U.S.A.” is very minimally engraved at the separation (on the back half).

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The clip does a very good job, being more detailed but just as strong as the clip on the Jotter, and actually affixed to the metal and not on its own separate (if unremovable) band. The clicks on both the pen and pencil are quite satisfying, the pencil more so because it is slightly shorter (thus having less traveling distance) and more firm (it also has rings near the top to help distinguish between the two in the pocket). Because of its length, the pen one does seem a bit floaty. The pencil’s click button also pulls off to reveal a usable pink eraser (it’s nothing special), and when that is removed, the lead reservoir (for .5mm leads). The design of the pencil here means that the mechanism is fully attached to the front part of the pencil, and unscrewing the back does nothing to hinder the operation (other than making it less comfortable) or allow for any maintenance.

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I haven’t mentioned the ink/lead yet because there isn’t really much to talk about. The black, fine cartridge (standard Parker type) and HB .5mm lead the two come with is exactly as you’d expect. Relatively smooth, almost dark, and mostly break-and-water-resistant. The main difference in handling comes from the size. They are a bit longer than the Jotter, at 5¼” (pen) and 5 3/8” (pencil) long, but it’s really the diameter that makes the difference, being 1/8” smaller at their widest of ¼”. This doesn’t make them much lighter, but it does make them nicer to use for someone like me who likes smaller barrels on their pens, or is trying to store things more efficiently.

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It is an upgrade from the area of 3rd tier pens (like the Jotter, which is above semi-disposable pens, which are above fully disposable pens). It has more refined, nicer feeling, and is just as durable. But it isn’t too much of an upgrade unless you really like the slim dimensions (like me). The fact that it’s apparently been discontinued is a hint at whether or not people really thought it was worth upgrading, but I’m a fan, and at a decent price I think they are serious competition for the Jotter in the pencil case. I’m keeping mine around, and it’ll probably last me a lifetime.

Mini Review – Museum Siam Pencil

I’ve looked at quite a few triangular-shaped pencils recently; they seem to be a trend attempting to make writing more comfortable. While they are obscure, I had heard about them and they make sense. Trending in the opposite direction I have here a pencil from the Museum Siam that is square (with rounded edges). One would think that would be uncomfortable, and maybe that’s why it’s a much less readily available design. Let’s take a look.

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The body of the pencil is super simple. It’s a rounded off 5mm rectangular prism with a nice matte black paint. On the side, stamped, in nice red letters are “Museum Siam” and a pictograph of a worker. The back of the pencil is capped with a red material but this is covered with a quite large eraser that is also in the shape of the logo/worker dude.

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This pencil is obviously a novelty or keepsake, and while it writes like a fairly normal #2, being a bit toothy and on the soft side, it probably wasn’t meant to be written with very much and most of the normal information you’d find on a pencil is absent. The body of the pencil is surprisingly easy to hold, and allows for a good grip without much cramping, though it will dig in a little more than more standard pencil shapes. The biggest problem is the eraser, which makes the pencil massively back-heavy and almost unusable when attached. I didn’t test its performance because I didn’t want to damage its aesthetics but I suspect, like most shaped erasers, it would perform poorly.

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It’s a pretty neat little gift shop item if you’re a fan of weirder pencils, and there isn’t much else to say about it really.

Review – Apsara Extra Dark Triangle Pencil

I’ve been looking at a lot of international pencils recently, and these are no exception. While Apsara pencils aren’t necessarily “hard” to come across in the US, these particular pencils, the Extra Dark Triangular, are virtually nowhere to be found. Are these Indian pencils worth getting your hands on, or nothing special?

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The pencil almost couldn’t be simpler. They have a rounded triangular body coated in yellow paint. The back end is also rounded off and capped with a thin amount of shiny black material. Most of your necessary information is stamped on the side and filled in with black paint, though in lieu of a hardness number (they’re 2B by the way) there is instead the vague “Extra Dark”.

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They are darker than the average #2 pencil, and quite soft/smooth, losing their point very quickly. I wouldn’t call them “extra dark” but you could certainly get away with it. And it’s nice for sketching or filling in scantron bubbles. The wood that the main body is made of is very light and cheap, with paint that is shoddily applied (it isn’t a nice, even coat, and you can see through it in places) but the triangular shape is comfortable and there’s enough friction to keep it in your hand nicely.

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It’s far from the king of all pencils, but it’s comfortable, doesn’t like to roll off tables, and feels like nothing when holding it. It’s a decent test-taking tool (though it lacks an eraser) and an inexpensive* way to get those darker lines when sketching. Personally, the darker lines and triangular shape aren’t my style, but if that interests you and you find one out in the wild you might want to take a serious look. But I wouldn’t go seeking them out until they become more widely available.

*I assume