Review – Parker Classic Pen and Pencil Set (GT)

Have your eyes ever glanced over something where you “knew” what it was but had to double take because something was just “wrong” about it? That’s what happened to me when I first came across the Parker Classic pens. I thought they were Jotters, Parker’s very popular, least expensive pen, but something was just… “off”. And indeed it was, after purchasing it and comparing it to my Jotter at home I discovered that it is a bit different (mainly in thickness), but does that improve anything?

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My version (the GT, which I think stands for “gold trim”) is a super simple design. The barrel is a cylindrical piece of stainless steel that screws together in the center. The front third tapers down to a hole, through which the nib protrudes when activated (on the pencil there is a small lead pipe here, extending the length slightly). And the back section of the pen ever so slightly tapers down to the click mechanism. Both the top clicker and the arrow-shaped clip are done in a gold-colored, chrome-like finish, and “Parker – Made in U.S.A.” is very minimally engraved at the separation (on the back half).

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The clip does a very good job, being more detailed but just as strong as the clip on the Jotter, and actually affixed to the metal and not on its own separate (if unremovable) band. The clicks on both the pen and pencil are quite satisfying, the pencil more so because it is slightly shorter (thus having less traveling distance) and more firm (it also has rings near the top to help distinguish between the two in the pocket). Because of its length, the pen one does seem a bit floaty. The pencil’s click button also pulls off to reveal a usable pink eraser (it’s nothing special), and when that is removed, the lead reservoir (for .5mm leads). The design of the pencil here means that the mechanism is fully attached to the front part of the pencil, and unscrewing the back does nothing to hinder the operation (other than making it less comfortable) or allow for any maintenance.

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I haven’t mentioned the ink/lead yet because there isn’t really much to talk about. The black, fine cartridge (standard Parker type) and HB .5mm lead the two come with is exactly as you’d expect. Relatively smooth, almost dark, and mostly break-and-water-resistant. The main difference in handling comes from the size. They are a bit longer than the Jotter, at 5¼” (pen) and 5 3/8” (pencil) long, but it’s really the diameter that makes the difference, being 1/8” smaller at their widest of ¼”. This doesn’t make them much lighter, but it does make them nicer to use for someone like me who likes smaller barrels on their pens, or is trying to store things more efficiently.

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It is an upgrade from the area of 3rd tier pens (like the Jotter, which is above semi-disposable pens, which are above fully disposable pens). It has more refined, nicer feeling, and is just as durable. But it isn’t too much of an upgrade unless you really like the slim dimensions (like me). The fact that it’s apparently been discontinued is a hint at whether or not people really thought it was worth upgrading, but I’m a fan, and at a decent price I think they are serious competition for the Jotter in the pencil case. I’m keeping mine around, and it’ll probably last me a lifetime.

Comparison – Wite-Out Vs. Liquid Paper pens (Shake n’ Sqeeze, Correction Pen)

Correction fluid is quite a useful tool and an art supply in its own right on some occasions. But those bottles are hard to lug around, and the brush tips difficult to manipulate to really cover what you want. Both of the major correction fluid brands have attempted to rectify this situation with pen applicators for their product. But how well do they really work in comparison? And how do they look head to head?

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Both are rather fat, pen-sized items at a little over 5 inches in length. Each is roughly cylindrical with a cap on one end, a squeezable bulge in the middle, and a posting step-down at the other end. The amount of fluid contained in each is surprisingly similar: being 7ml for the Liquid Paper and 8ml for the Bic Wite Out. But despite having only a slightly larger capacity, the Bic pen is noticeably larger in almost every way. It is a little bit longer, the tube diameter is about 125% that of the other, and the squeezable bulge extends out in two humps rather than the one of its smaller counterpart. Each one has a cap with an integrated clip, through the Bic one is translucent and more brittle-feeling than the LP which matches with the rest of the pen. The main color of each pen is an off-white, the differences of which mirror the differences in the colors of the fluids inside, with the Wite Out being a “warmer” and the LP being a “cooler” white. There’s a lot more information on the Wite Out pen, which is printed on a label wrapped around the bottom as opposed to the Liquid Paper which has just enough info printed directly on the plastic. And both pens have a strange “arrow” (triangle) pointing toward the tip molded into their plastic.

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Both pens are used in the same fashion: shake it up, remove cap and any little dried bits (there always is some, no matter how well you wipe it off), press down firmly, and then write with it like it’s a pen, squeezing and pressing to increase the flow when needed (then wipe the tip off and re-cap). Both do a pretty good job, but each has its own quirks. The Bic pen is harder to start as the tip is wider and the fluid dries more rigidly. It tends to cover nicely in one stroke but the width of that stroke is a bit unpredictable, and it’s pretty poor at “writing” on its own. The fluid is basically the same as the Wite Out quick dry (or regular), drying fairly quickly and smoothly over the paper, but noticeably sitting on top of it because it is a warmer white than the average piece of paper. The Liquid Paper produces a thinner line that is easier to write with, but can sometimes require multiple, finicky applications to really cover a mistake. The fluid does start to dry pretty fast, but it quickly becomes a bit “gummy”, and if you need multiple coats and aren’t fast enough this can easily lead to unsightly bumps in the finish. If you can get it down smooth, though, it blends in much better with the paper, being closer to the cool white of office copy reams.

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Both clips are serviceable when the pen is capped, with the Liquid Paper’s being a little weaker when clipping, but less brittle. As mentioned, both caps have posting stumps on the back. The Wite Out posts quite tightly and securely, while the Liquid Paper, even with no fear of falling off, seems a bit wimpy-er. Both pens have worked for me and not dried up over several months, and I happen to be in possession of another Liquid Paper pen dated 1989, which surprisingly still works (but not as well). I don’t know if that will apply to these new ones, but it’s a good omen. (The differences between the old and the new are minimal: the cap has had ridges added on the sides and a droplet shape on the clip, between the cap and body there is now a green band, that aforementioned triangle has been added, the applicator tip has been modified to add more metal, and the old has an applied label rather than material printed directly on the barrel).

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Neither pen is clearly better than the other, so it mostly comes down to personal preference. The Wite Out has: a larger capacity, a thicker line, simple application, and is easier to hold. While the Liquid Paper is: smaller, easier to start, and has a much more true-to-paper tone. If you’re just looking for a correction pen, you can’t really go wrong with either, so I wouldn’t go out of my way to find one or the other. As it stands, I’ll be using the Liquid Paper in my pencil case for on-the-go stuff and the Wite Out at the desk for when I need something more fine than the sponge applicator. And I think both’ll be lasting me a pretty long time.

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Review – PaperMate “Write Bros” Mechanical Pencils (48 pack)

PaperMate isn’t exactly known for making the most high quality products in the world. But for the most part they do make products that get the job done in an inexpensive and readily available way. And that philosophy is very apparent in the 48 pack of “Write Bros” mechanical pencils, which generally sells for as little as a 2 pack of more well-regarded pencils. Are these the perfect solution for someone looking to supply a group on the cheap/keep losing their own, or are they too fragile to be worth it?

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The bodies are similar in size to a normal wooden pencil, but a bit shorter at just over 6”. Molded in a slightly pearlescent plastic and one of 5 average colors, they have a ribbed grip section for the last inch and a half of the barrel, followed by a cheap-looking frosted plastic cone that is screwed onto the end and from which protrudes a small plastic “lead-pipe” and lead from inside that. Near the back of the pencil, there is an exposed click-advance mechanism with an integrated pocket clip that moves with activation. On top of that is a small white eraser, which can be removed to expose the lead chamber and allow refilling. Oddly enough at this price point, the item can be further disassembled by unscrewing the frosted cone on the front, at which point the entire advance mechanism will essentially fall out of the back of the barrel. There is nothing useful that can be done from this point, but it is interesting to look at.

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Performance is so-so to average. The 7mm HB lead is what you would expect at the price, a bit scratchy and softer than advertised (prone to breaking). The clip technically does its job but I wouldn’t count on it, and the plastic is brittle enough that it would easily snap. As far as erasing goes, the eraser is superb, but it is a small size and virtually vanishes when put to its task. The feeling of the click mechanism is unsatisfying but inoffensive in any way other than it feels like it will quickly break.

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Basically you get what you pay for, which in this case is not much. Even PaperMate didn’t bother putting a name on these pencils (I call them “Write Bros” because that’s what’s on the box and online, but the items themselves only say “Paper:Mate”, and “0.7mm”). But there isn’t much terribly wrong with them. If they are intended to be essentially “disposable” mechanical pencils, they succeed. Each has two leads (though many of mine were broken and thus less useable) and an eraser, enough to be useful, but little enough that the poor and brittle construction will be able to survive that use. They don’t seem to be meant to be refilled, as they aren’t worth the trouble, and being used much more would likely result in broken clips and eventually mechanisms (but it is a possibility for a little bit). And putting aside environmental or frugality concerns they are an inexpensive and relatively comfortable way to provide functional pencils to a lot of people, or many pencils to one particularly careless person.

Mini Review – Peruvian 2B Pencils

At this point, I’ve gotten through the reviews of most of the non-U.S. purchased products I’ve received. But down at the bottom of that list are these simple little nameless pencils that came from Peru in what I understand was a larger bundle. And I’d like to take a quick look at them before moving too far beyond.

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The body is your standard yellow, hexagonal fare, without a ferrule or eraser at the back, replaced with a white band and then a black “cap” of paint. The only other adornment is “2B” stamped in a gold color. They come pre-sharpened, and thus a little shorter than your average pencil, being around 7”.

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The lead is a 2B, so it’s a little softer than your #2 HB’s, but it’s far from too soft, and the difference is really hard to tell. That probably stems from it not being a very well refined graphite, making it more toothy and gritty than one would generally expect from this hardness of pencil.

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The build quality is work-able, with the wooden body being quite sturdy, and the absence of an eraser making things easy. There is some variance in how well the lead is centered, though, making sharpening sometimes difficult. In the end they’re what you’d expect from a cheap no-name pencil, but they get the job done.

Review – Stabilo No. 288 Exam Grade Pencils

Every time my brother goes on an international adventure, I get to reap the rewards by looking at writing utensils from another country without the hassle of actually having to visit that country. Now, Stabilo is a company with many products available in the US or easily shipped there, and the subject of this review, the Exam Grade No. 288 2B pencil, can be found and purchased here, but when you compare prices and availability it’s obvious it’s really meant for foreign markets (mine cost 36 {probably less} Thai Baht {or a dollar and 3 cents} for three pencils when compared to $3-7 on eBay or Amazon plus shipping). Is there a reason to chase them across the world or are they just Paper:Mate equivalents?

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Most of the information on the package is in Thai, a language that I unfortunately don’t speak or read but have enough objects displaying it around my house that I can instantly recognize it. The pencils themselves are all in English, though, so for someone like me identification and re-ordering would be an easy thing to do. They’re a standard wooden hexagonal design with a black matte finish until the final ¾”, where there’s a glossy white band followed by a glossy red “cap” of paint. No eraser is affixed; instead, a separate eraser is included in the package. On two opposing facets of the body all of the necessary information is printed (poorly) in a silver ink and ever-so-slightly stamped (there’s also a barcode in white).

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Performance is pretty par. Supposedly, these are pencils meant to take school tests with, and I would say they do a good job of that. The wood isn’t great quality, but it’s light and sharpens easily. The graphite is on the darker side being a 2B (an unusual but not unheard-of hardness for US school pencils). It looseits point quickly but makes a darker mark, something I’m not a fan of, but is good for filling in bubbles on a scantron (or something similar). The black eraser comes in a card sleeve where all of the information is also in English. Supposedly it’s “specifically designed to erase scan sheets cleanly with minimal eraser mess” (and a bit of paraphrasing). And it’s not bad. Light marks are erased easily and darker marks passably, and the eraser shavings do clump up to create less mess. It also doesn’t seem to disappear right before your eyes as you use it. It’s far from a perfect eraser, but it (the 1191) is at least comparable to the standard pink erases that are so easily found.

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As far as quality is concerned I’m not going to be running off to Thailand anytime soon to track down a lifetime supply. They’re competent but not excellent everyday/school pencils that are inexpensive and usable with a few subtle changes when compared to their counterparts in the west. If you should ever find yourself in Thailand or any area that sells them (perhaps you live there) they can easily be used for most daily tasks, but they’re nothing to write home about.

Review – Vinifan Bicolor Colored Pencils (Triangular)

I don’t know about anyone else, but I certainly have memories of being fascinated by double-ended colored pencils. I actually might still have my first one around somewhere because, even though I ended up with a couple different ones in my pencil pile™, there just wasn’t much use I could find specifically for a double-ended colored pencil. But the box for the one I’m looking at today, the Vivifan Bicolor, has (as best I can make out since I don’t read Spanish fluently) listed uses for each side of the blue and red pencil. The blue side is for “writing” and the red side is for “correcting” (escribir y corregir respectivamente), but is that really a good use scenario?

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Like a few other Peruvian writing implements I’ve reviewed recently, the Bicolor has a rounded, triangular body that helps with grip and prevents it from easily rolling off the table. It’s painted red and blue on the sides corresponding with the color of the lead, coming together in the middle at a surprisingly straight line (I don’t know if that line exactly corresponds to the leads, though). Near the center, stamped in gold letters, are “Vivifan” and “Bicolor” which is enough, but I would’ve liked some more information.

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In the package, the points are very cheaply made with 3 flat cuts, but they are usable (though the points were broken or blunted on some of mine during the trip from Peru to the USA). The writing has a more-or-less standard, waxy colored pencil feeling. Coverage is pretty good when bearing down (the blue covers slightly less completely than the red), and at normal writing pressure they are darker than the average colored pencil. But, in my experience, they become unsightly and uncomfortable after only a few words. The fire-engine red and navy blue colors are unspectacular and almost non-differentiate-able from Crayola orange-red and blue pencils, but they get the job done. Both the waxy-ness and the not-good-for-art colors provided help lead to the very standard problem with inexpensive colored pencils of them not blending very well, but the packages says they’re for writing so that’s less of a concern.

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I’m still not really sure what I would use this for. The red side is good for marking corrections to be made, but the blue side is not good for writing. The color set is too limited for most artistic applications and the difficulty there is compounded by the inexpensive waxy-ness. Still, if you’re looking for a space-saving or easier-to-keep-track-of way to have both a blue and red colored pencil with you, this would be a perfectly adequate (and comfortably designed) way to do that.

Review – Pilot Opt (.5mm)

It’s always surprising how many innovations there can be for something as (seemingly) old, tried, and true as a mechanical pencil. The Pilot Opt is a fairy traditional and comfortably chunky mechanical pencil save for its unique advance mechanism. While a standard click-mechanism is available and quite usable (and necessary for retracting), there is also a sliding weight inside that allows the pencil to be shaken to advance the lead. But is this shake advance mechanism (that I don’t fully understand) a real improvement over the standard, or just a gimmick?

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The body of the pencil is fatter than the average mechanical pencil and relatively torpedo-shaped, with the thickest part being around two-thirds of the way toward the front and tapering down from there. Forward of this hump there is a (removable) rubber grip section and a metal cone, attached to which is a smaller metal cone that serves as a lead pipe. As far as I can tell, the farthest this pencil can be taken down by the user is removing these two bits, which gets you nowhere. Behind the grip section is a clear piece of plastic with a colored checker pattern (which is black, trying to mimic a “carbon fiber” look. Other syles come in other colors) below this, you can see the black tube containing the advance mechanism. Behind that is a correspondingly colored opaque plastic bit that contains just enough printed information about the pen and holds the attached spring-clip on a pivot. At the very end of the pencil is a(nother) correspondingly colored translucent plastic eraser cover, under which is a small white eraser that can be removed to access the lead tube.

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The lead and eraser are what you would expect from Pilot: that is, quite serviceable. The lead is a fine .5 and the one included feels like an HB. It’s a medium hardness and quite smooth, nothing to write home about but nothing wrong. The eraser gets the job done but like many mechanical pencil erasers is entirely too small (in my opinion). This is offset slightly by it not being they type that disappears easily. The push click mechanism is usable and gets thing done, but is a little underwhelming. And the clip is great, being smooth enough to not damage items but strong enough to hold on firmly, while the spring mechanism makes it easier to use and harder to break. But obviously the main attraction is the shake advance mechanism, which works as advertised. A good shake will advance enough lead for one to be able to write, though it might take two to get to a length most people are comfortable with. The advance per “shake” is comparable to the advance per “click” with minor length differences depending on some ethereal power (likely gravity and the external forces you apply). And the weight inside needs to reach both extremes in a short period of time with some force in order to advance the lead, this means that accidental advancement is a rare occurrence, but when intentionally done can be a surprisingly subtle gesture (though it’s still violent enough that people might give you strange looks). I haven’t had it advance in my bag, yet it’s always done so easily when I was using it.

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Without its gimmick this is still a solid pencil, though one could argue that its ¥200 (≈$1.75) price tag isn’t worth it without the shake advance (the same for its increased US price of $3.00-3.50) but even then it’s right on the line for the quality (though I wouldn’t get it without the mechanism because of its thickness). But with the mechanism it becomes a fascinating and usable utensil. The grip is comfortable, if wide, the lead and eraser are of quality, the clip is a step up, and the mechanisms work wonderfully. If you’ve been looking for a more convenient advance mechanism and other options like side advance aren’t doing it for you this is certainly something to look at. And while I probably wouldn’t have bought one for myself (it was a gift from my brother when he went to Japan), and indeed I won’t be keeping it in my daily use pencil bag, I had a fun time with it all throughout my testing.