Review – Tombow 2558 Pencil

Posted on April 18, 2018 by Dragon Co (Austin Smith)

The Tombow 2558 pencil was introduced to me as a “favorite” pencil, so obviously I had to pick one up. Still, when you first look at it, it’s a pretty unassuming thing. It looks like your standard yellow pencil, with something a little… “off”. So how is it different?

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The body of the pencil is very similar to your average yellow (orangish) pencil. It is basically the same length: 7½” including the eraser attached by copper-colored ferrule. Like most, it’s hexagonal with the information stamped and printed on opposing facets. This information, rendered in a pleasant reddish-brown, is more than enough, giving you: the company (Tombow), the purpose (for General Writing), and the hardness (HB). But there is something to make the body of the pencil stand out: it is slightly thicker than your average pencil, about a millimeter more in diameter. Just enough that one can tell it’s different, but if they aren’t side by side you’ll scratch your head.

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photo 3-63 In practice this makes the pencil more comfortable to hold (more material means less hand cramping), and with its super smooth HB lead it really is a pleasure to write/sketch with. And this lead does feel a bit softer than I usually expect an HB to feel. It produces darker lines with seemingly the same pressure (and surprising ease), but that certainly improves the ease of writing with it. And the eraser functions well; it doesn’t remove everything, but it doesn’t vanish either.

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This is, as advertised, a very nice pencil for writing. And everything about it is well-done. The finish is nice and evenly applied, the wood is sturdy as is the lead, and the ferrule is nicely fitted on a step-down so that it doesn’t catch and is unblemished by its crimping. If you’re a wood pencil person (I’m not as much) and are looking for something high quality but still standard looking, this is a nice option. It might not be a smooth as a Blackwing, but it’s surprisingly close, and if I’m ever using a wood pencil, it’ll probably be the one I reach for.

Review – Field Notes Pitch Black (Focused on Large)

Posted on February 28, 2018 by Dragon Co (Austin Smith)

Field Notes are pretty much my go-to notebook brand. I carry an Expedition Edition with me every day (throughout my life that constantly reaffirms I don’t need a notebook that hardcore), and I have many of their regular books set up for individual projects. But I always find pocket books slightly too small for really working with, and “full-sized” books are just a bit large and cumbersome. When Field Notes announced they were making a larger book with their “Arts and Sciences” edition I snatched a set up, but I’m always reluctant to use limited editions, and I was a bit late to the party when they released an updated version of their “Pitch Black” book in the same larger size. Does it fill the position I was hoping for?

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The book is a nicely hand-sized 4¾ x 7½, with a simple black cover containing the minimum of necessary information. Inside that cover they improved on their previous Pitch Black design by adding a craft-paper layer to print on so the user can actually read it. As always, this inside cover has space for one to put their contact information, and a lot of interesting and/or funny information (mostly related to black or nighttime in this case).

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64 pages are saddle stitched inside with a single signature (as is typically the case when one staples something together). Both the paper and the cover are quite durable, and I haven’t had any problem with wear (on the spine or at the {thankfully rounded} corners), but they are just paper and cardstock, so you can’t be too rough with it. It’s all thick enough to feel like a “proper” notebook (and maybe provide some support when in the field) while still being super thin (less than a quarter inch). It’ll fit in almost any bag and still provide ample writing real estate. I always felt like it was hard to do more than write a list in pocket-sized notebook, but with the room to stretch out here I can get almost 300 words on a page, and with the dot-grid (which is the version I chose and what I believe to be the superior page-ruling) I can easily incorporate diagrams or sketches. The paper is a stark white and the dots an un-intrusive grey. Standard pencils, ballpoints, and highlighters all work great on the fairly smooth but mildly toothy paper and the it’s thick enough that I use both sides (which is rare for me {it also has something to do with the book’s thickness}); wetter pens like markers, rollerballs, and fountain pens do start to show/bleed-through though.

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For someone like me this book is basically all I could ask for, and I plan to use them more frequently in the future as I change around my main notebooks. It’s a little bit harder to carry around than a pocket book, yet the added space more than makes up for it in my mind, and it stops just short of being bulky (and it just shy of the page-count where the cardstock cover would start looking ratty before one finished it). Even the paper’s a little bit of an upgrade. It’s just a winner all-round for me, and if you’re feeling a little cramped by your pocket book, or that sketchbook is weighing you down, it might be a winner for you too.

Review – Lihit Lab Pen(cil) Case

Posted on September 13, 2016 by Dragon Co (Austin Smith)

I might be a little bit late for the back-to-school season, but I do have a pencil case I wanted to talk about. Most pencil cases tend to be of the “dump everything in and fish it out” variety, even if the only hold a few pencils. The rarer breed is the organizational pencil case (that isn’t attached to some other “organizer”). One of the simplest, least expensive, and easiest to get a hold of versions of this is the Lihit Lab Pen Case (I can’t find a certain model name {maybe Teffa?} or number that seems to fit {maybe A7551-24?}). Is it worth it?

The outside of the case looks pretty standard (mine’s black, but there are lots of available colors), the back is blank and the front has two almost-useless pockets with a small rubber “designed for arrangement” badge. The (double) zipper is roughly in the center of the bag (and it even has the same logo as the front badge on it) and it feels very sturdy and secure, though it has no “brand-name” on it. The hinge is made of a double layer of the same fabric as the rest of the case and shows no sign of wear from several months of use. The whole package comes in at about 8”x4½”.

The inside is a brown version of the same color polyester fabric (regardless of outside color). On the inside of the front there are two roughly inch-wide bands to hold in pens, and on the back inside there is a simple mesh covering about half the area (to hold other items). There is also a center divider/organizational area that is strangely attached to the inside of the back half and not in the middle. I suppose that would have interfered with the hinge, but its placement near the back (really it just favoring one side) can be a problem at times. The front of this divider has another inch-wide band (higher up this time) and a thin pocket (not mesh) at the bottom, and the back has three mesh pockets, the top two being slightly larger than the bottom one.

So the configuration of the whole case is to hold pens in the front and other art/office supply things in the back. This works pretty well, especially since the back can hold either. I have 24 pens or pen-like things in mine* and 10 (or so, paper clips are counted as one thing) other things including an eraser, Swiss Army Knife, stapler, pencil sharpener, notepad etc. It fits everything nicely and is very flexible with its organization. I was surprised with what I could fit in it (almost everything I wanted), and I’ve been carrying it around wherever I need pen(cil)s for months now and it shows no sign of stressing the material or really any wear whatsoever.

My concluding thoughts could just be “it is the pencil case I use, and I don’t see that changing soon”. And that would be true, I really like this case, it is perfect for my exact usage scenario, but due to its popularity and the number of photos of it I see online, it looks like it could fit quite a few usage cases. It’s inexpensive relative to other cases its size (it probably helps that there is no packaging needed, but it does come with a cute little card that folds out as a representation of how to use the case), it’s durable, flexible (both in the physical and organizational sense), and it’s attractive. I’d definitely recommend it as an upgrade to the regular zipper bag most people use.

* Pencil Case Full Contents List

2 Pentel Pocket Brushes
Pigma Brush
2 Tombow Duos (N95, N60)
Liquid Accent Highlighter
Sharpie Twin Tip
Autopoint All American in Blue (Caran d’Ache Sketcher Non-Photo Blue Pencil)
Pigma Graphic 1
Pigma Micron Technical Pens (005, 01, 02, 03, 05, 08)
Le Pen 0.03 (003) Technical Pen
Tombow Mono Zero Eraser (Round 2.3, Rectangular 2.5×5)
Scotch Tape Roll
Pad of Generic Sticky Notes (3”x2”)
Twist Ties x2
Paper Clips x5 (Insulated)
4 inch Ruler
Pentel .5 HB lead
Pentel Graphgear 500 .5
Swingline Tot 50 Mini Stapler
Staedtler Mars Plastic Eraser (With Plastic Case)
Victorinox Super Tinker**
Zebra F-301 (Black, Blue, Green, Red)
Paper:Mate Liquid Paper Correction Pen (Signo Angelic White Gel Pen)
Kum Pencil Sharpener

Last two photos from Jetpens.com (http://www.jetpens.com/Lihit-Lab-Teffa-Pen-Case-Book-Style-Black/pd/7665) I just had to include a photo of the “booklet” and originally couldn’t find mine.

Review – Dixon “My First” Ticonderoga

Posted on February 1, 2016 by Dragon Co (Austin Smith)

I’m not gonna lie; I find reviewing wood pencils difficult. I just don’t see enough difference in them to make it seem worth my while to look at each specific one. Ones like the My First Ticonderoga are easier, but still the discussion of them ends up being brief. That being said, let’s take a look.

The pencil is almost solid yellow, with green accents on the information on the “barrel” and the metal eraser holder. It is a little more broken up by the eraser’s pink and the wood of the sharpened end. The eraser works well enough, and is quite large since the pencils size is increased. The body is half again to double the circumference of a standard pencil, making it much more comfortable to hold, in my opinion, but harder to store. It is completely round, making rolling quite easy, but its larger mass makes it less prone to ending up on the floor.

The lead is standard fare for #2. It works well enough for drawing and writing, providing a medium line that can be both quite dark and quite light, though the largeness of the lead skews it to dark. Personally I haven’t used it much for that, but I have used it for marking wood in lieu of a carpenter’s pencil, a job at which this excels.

It’s a good pencil, both for kids and those who don’t want to or can’t hold the smaller standard pencils of today. The quality control isn’t the finest. I’ve found some wood and paint blemishes but these are quite minor and don’t affect the writing ability at all. The set I got also came with a plastic pencil sharpener that does what it’s supposed to, but is nothing special. They’re just a simple, good option for someone who wants a larger pencil.

Review – large Blank Moleskine

Posted on May 1, 2013 by Dragon Co (Austin Smith)

A little while ago I reviewed the Moleskine blank pocket book. Now in the same notebook direction I’ll take a quick look at the Moleskine blank large book. Will the classic renowned Moleskine hold up to closer scrutiny? We’ll see.

The cover is cardboard wrapped in faux-leather. It’s fairly sturdy, though it does begin to wear at the corners with continuous use. Though if you find a notebook that doesn’t I’ll be amazed. The binding is rounded, flexible and lies flat. It does have a tendency to crease when opened for too long. It also tears eventually, and if the book is really old it even begins to split down the back. This only happens toward the end of the book’s life (the last twenty pages or so). Around the cover is an elastic band which does a good job holding everything together but will eventually bend the cover in.

The pages are super thin. There are 240 of them in this half-inch book. They are of okay stock. Anything heavier than a ballpoint pen bleeds through but not usually onto the next page, it can just be seen through the page. The paper is smooth and writes well, the fine texture is just enough to prevent slips of the hand.

The first and last pages are attached to the binding, rendering them mostly useless. In the back is the standard pocket, which contains the story of Moleskine (and a quality control number which is actually quite useful). In the front is a ‘who owns this’ page with a reward blank. I don’t find those particularly useful but they are there.

So are they worth it? Like all notebooks it depends on what you’re looking for (unless they just fall apart, those are useless no matter what). They are great for free range writing with sketches to enhance the look. As a sketchbook they work best with pencil as most anything else will bleed through. They are very solid in construction, the front cover especially can take a severe beating. They have very few organizational features, which some may find liberating and some infuriating. Like I said, best as a free range writing/sketch book. Alright as a travel log or such. They’re decent, and the ones I use all the time.

Review – Norcom Graph Composition Book

Posted on July 21, 2012 by Dragon Co (Austin Smith)

There are a lot of sketchbooks and various types of notebooks out there. But a composition book doesn’t seem to scream “art supply”. The binding is great but they’re obviously meant for writing and not drawing. Luckily (kinda) there are math classes in school as well that need notebooks. And this is one of them, the Norcom no. 76002 graph composition book.

The listed dimensions are nine and three quarters by seven and a half inches, with five squares to an inch. Each page has 49 by 36 squares so the given dimensions are mostly correct, but a little off. The book contains one hundred sheets, and some extra stuff on either inside cover.

The paper itself is thin, but not overly so. Pencil and ink can be seen through but not enough to cause trouble in perceiving or creating what is on the page. Ink from pens does not bleed through, but brush inks will, and if a pen is heavily applied over an area bleeding is a very likely occurrence.

The grid is helpful in the way grids are. It is printed light blue, and does not get in the way of writing, drawing, or graphing.

The spine however is poorly made. The string binding is loose and the pages are almost free to move around. While the pages seem sturdy the spine may need duct tape for prolonged use.

Graph paper is very useful and having it in an easily portable book with a “solid” binding is nice. The book is nice for what it is but there are many better (although more expensive) options out there.

Art Supply Critic

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