Review – Field Notes Pitch Black (Focused on Large)

Field Notes are pretty much my go-to notebook brand. I carry an Expedition Edition with me every day (throughout my life that constantly reaffirms I don’t need a notebook that hardcore), and I have many of their regular books set up for individual projects. But I always find pocket books slightly too small for really working with, and “full-sized” books are just a bit large and cumbersome. When Field Notes announced they were making a larger book with their “Arts and Sciences” edition I snatched a set up, but I’m always reluctant to use limited editions, and I was a bit late to the party when they released an updated version of their “Pitch Black” book in the same larger size. Does it fill the position I was hoping for?

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The book is a nicely hand-sized 4¾ x 7½, with a simple black cover containing the minimum of necessary information. Inside that cover they improved on their previous Pitch Black design by adding a craft-paper layer to print on so the user can actually read it. As always, this inside cover has space for one to put their contact information, and a lot of interesting and/or funny information (mostly related to black or nighttime in this case).

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64 pages are saddle stitched inside with a single signature (as is typically the case when one staples something together). Both the paper and the cover are quite durable, and I haven’t had any problem with wear (on the spine or at the {thankfully rounded} corners), but they are just paper and cardstock, so you can’t be too rough with it. It’s all thick enough to feel like a “proper” notebook (and maybe provide some support when in the field) while still being super thin (less than a quarter inch). It’ll fit in almost any bag and still provide ample writing real estate. I always felt like it was hard to do more than write a list in pocket-sized notebook, but with the room to stretch out here I can get almost 300 words on a page, and with the dot-grid (which is the version I chose and what I believe to be the superior page-ruling) I can easily incorporate diagrams or sketches. The paper is a stark white and the dots an un-intrusive grey. Standard pencils, ballpoints, and highlighters all work great on the fairly smooth but mildly toothy paper and the it’s thick enough that I use both sides (which is rare for me {it also has something to do with the book’s thickness}); wetter pens like markers, rollerballs, and fountain pens do start to show/bleed-through though.

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For someone like me this book is basically all I could ask for, and I plan to use them more frequently in the future as I change around my main notebooks. It’s a little bit harder to carry around than a pocket book, yet the added space more than makes up for it in my mind, and it stops just short of being bulky (and it just shy of the page-count where the cardstock cover would start looking ratty before one finished it). Even the paper’s a little bit of an upgrade. It’s just a winner all-round for me, and if you’re feeling a little cramped by your pocket book, or that sketchbook is weighing you down, it might be a winner for you too.


Review – Layflat Dot Grid Composition

Sometimes lines don’t look right on drawings and grids are too intrusive. Dots can be easier to draw around and can give the general guidance that is necessary. If you want the added bonus of having a book that lays flat on your table or lap you might want to try out the Layflat Sketchbook Dot Grid Composition notebook.


The cover has a static looking black and white style and and a black spine. There is a space to write a name and subject as well. The cover is very thin cardboard, the inside being plain white with a plastic coating on the outside. It is rather thin, and has a problem with the pointy corners getting dinged up easily. The spine does lay flat with a little prodding, though not as flat as a saddle-stitched binding, but flatter than any other types of composition books, and most other note books.


The pages are thin as well, white with tiny grey dots at regular intervals. There are quite a few of the dots on a single page, though I don’t know how many. The paper shows through with almost every ink, though it does take a heavy amount to bleed through. Even a few fountain pens work. The corners get dinged up like the cover, and the individual pages are a lot easier to damage. The grid they form is easier to write with than many others and is fairly straight. Though many of the pages are not printed the same, so the dots are inconsistent. Each dot is made of several small dots so they are un-intrusive.

Overall it’s a good notebook for designs and sketches requiring general guidance. It doesn’t work well with larger fountain or brush pens, or heavier liquid ink pens. It can get dinged up easily, but it does lay flat. In the end it is a cheap and nice notebook. Though it has faults, it is reliable and of good quality. It’s good for students or casual designers.