Review – Kuretake No.14 Brush Pen

I think an ideal gift is one where you receive something that is useful or interesting to you, but from a direction you would have never looked yourself. Such was my case with the Kuretake brush pen number 14. For personal use, I’ve basically settled on my brush pens, and wasn’t really on the lookout for another, but I was still quite glad to receive one of these little guys as a present. Let’s see how it performs.

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The body of the pen is a black-flecked maroon, slightly-soft plastic that looks and feels a bit like ebonite. The cap is uniformly thicker than the barrel with a black cylinder protruding through a diagonal cutout for the top quarter-inch. From this comes a simple but functional spring-steel pocket clip. The barrel has no decoration save gold-imprinted Japanese lettering (that I can’t read) and an Arabic numeral “14”. The butt end is a similarly simple black convex disk. The section is made of the same piece as the barrel, and aside from a sealing ring for the cap, has only a single small step-down before a black plastic cone leads to the incredibly small “nib”.

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The little felt tip is only two millimeters long. And, despite many of the online references I found referring to this pen as “hard”, the line produced easily moves from half a millimeter to three millimeters. The ink is fairly black but not particularly dark, and it has a tendency to fade or split during long or fast strokes. It also bleeds/separates/fades when exposed to water. It’s not super runny but most work will still look ruined (it plays nice with alcohol, though). The feel of the grip section is nothing special but I have no real problems with it, and with the cap posted it is quite well balanced (the cap does feel like it might have a cracking problem with prolonged use, but the pen is disposable). Unfortunately, despite this, I just can’t seem to shake the feeling when using the pen that I’m not in control. Brush pens don’t play well with my style at the best of times and this guy can really get all over the place quickly.

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I’m not sure this pen would be useful as a serious artists’ tool: its ink doesn’t take traditional washes, the ink flow is sub-par, and the tip is imprecise. But as a portable sketcher it has a resilient body, a good clip and a wide range of possible expressions. It isn’t inexpensive, but it isn’t egregiously costed. This isn’t the be-all end-all of disposable brush pens, but id does make for a fine introductory pen or a “backpack beater” as it were.



Review – Muji Bunkobon Notebooks (Thin/Regular)

I’ve had a couple Muji notebooks in the queue to review for quite some time now, and ironically it’s the product that I have most recently purchased that’s making its way to my metaphorical “review table” first. Muji has a reputation of being both minimalist and high quality, and Japan in general is often seen as being more focused on a good writing experience, but do Muji’s inexpensive Bunkobon notebooks live up to the expectations?

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When looking at aesthetics, the exterior is about as minimal as one can get: a brown “craft” paper cover with a smooth (not glossy, but definitely coated) finish wraps the whole book, only interrupted by a barcode sticker on the back. Inside, the pages are blank with no additional features (no name page or back pocket) save a red ribbon bookmark.

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The paper is a pleasant off-white with a very smooth texture. For how thin it is, it does a very good job of holding up. Almost any mark you make has “show through” where it can be seen from the other side of the paper, and with pens this quickly renders the reverse side unusable (I never use it anyway), but in most cases this doesn’t result in “bleedthrough” where marks appear on the next page. Gel and fountain pens work fine, but Sharpies and calligraphic pens are too much for it to bear (though only barely, it seems). The actual experience of writing on the paper is also quite pleasant, it’s got just a little bit of tooth to remind you that you are indeed writing, but most pens just glide across. For me personally, it sometimes feels a bit slippy or like I’m losing control, however, I have the same problem with the gel pens that everyone else in the world loves.

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The book comes in two (very reasonably {but not proportionally} priced) sizes, regular with 144 sheets, and slim with 50. And the larger size would excite me more if I didn’t have a few issues with durability. These 4 1/8 x 5 ¾ book’s covers are only a piece of slightly thicker paper, and on the top this overhangs a sixteenth of an inch beyond the one side of the book with a deckled edge. This quickly creates bent corners and a curled-in top area (I unsuccessfully tried cutting this excess off my slim, and it now looks like I’d imagine it would after a little while of constant use), which might be overlooked if the cover itself wasn’t so fragile and easily bent. Even I, a man who is very careful with all of his possessions (because he doesn’t like them to look worn) bent and tore the cover while the bookmark unraveled itself. While the binding is very solid I don’t feel like the cover of this book will adequately protect it over a longer period of time or through rigorous use (so it’s out for frequent traveling), and I think that this problem will get worse with the larger size.

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For the price of a couple dollars this is a very good notebook to write in. While there are some problems with cover and bookmark it makes a fine office or school notebook, or, if you aren’t a stickler for aesthetics, it’s a nice convenient size to carry around (though larger than that average pocket). If you’re looking for an inexpensive notebook upgrade or are just tired of people putting words or logos on your writing area these are nice, minimal and well crafted books.

Review – Muji Hexa Ballpoint (.25mm Gel Pen)

My handwriting is very fine, and I always gravitate toward finer and finer tipped pens in my quest to jam as much information on the page as possible. But there is a limit to how small the tip of any given pen can be. Too thin a felt-tip will simply break, and ballpoints or Rapidograph-style pens will either not allow ink flow or damage paper. Thus, even pens on the smaller end of the possible scale are hard to come by (being more expensive and relatively user-specific when compared to more standard sizes), with .25 being about as thin as one can find. Muji, in its characteristic minimalist style, offers a gel pen in such a small size. Is it a worthwhile purchase?

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As with many Muji products, the pen is outwardly pretty simple. The hexagonal black body is a little larger in diameter than a pencil, and covered in a matte rubber that is only interrupted by two slits in the plastic near the front (for seeing the ink level) and a set of bumps with the slightest of step downs for posting in the back. After a brief clear plastic part, the metal cone in the front quickly brings us to a very fine protruding ink tube that’s about an eighth of an inch long. The clear plastic cap is also hexagonal, with an integrated clip and matching color insert that both covers the tip and displays the sizing information where it can be read easily from a pencil cup. Other than this, there are no markings on the item itself, as the label comes off, stripping you of all its information(in Japanese).

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Performance is good. The pen is comfortable to hold and stays firmly in one’s hand (though the material can make capping and uncapping a bit more “frictionful”). When put to paper, ink flows relatively smoothly. At this size of tip, it is impossible to eliminate all of the scratchiness, but a good job has been done of controlling it. Likewise, another problem at this thinness is that a pen will tend to skip more if at any angle other than perpendicular to the page, but this too has been mitigated. I’d still recommend you write as straight as possible, but it shouldn’t have too great an effect on the writing. I don’t have much information on the ink, but I can tell you that it dries quite quickly (I almost can’t get it to smudge) and it’s waterfast and alcohol resistant (it does bleed a little, but remains legible, which is good for writing and bad for stains). Its spread isn’t too bad either, laying out on the average page about the same thickness as a .25mm (01) technical fineliner (though, with my handwriting both seem very close to a .7 ballpoint).

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The pen’s a good one. It’s nice and sleek with a rugged body (I might be worried about the longevity of the cap. though) and a good writing feel. It’s slightly more expensive than a gel pen of comparable quality in the States (the price tag says ¥210, or about $2, but they sell it in the US for $3), but not enough to be out of their range. The tip is noticeably more fine than other ballpoints and gel pens you’ll find, but in my opinion almost awkwardly so (I’ve never been a fan of how gel pens look on the page {when written with my hand}), and there can be potential issues with the pen drying out. Still, if you’re looking for a functional and minimal super-thin writing pen (that isn’t as finicky or fragile as a technical pen) this is one to look at.

Review – Kokuyo PS-FP102 Mechanical Pencil (.7mm) (DM)

In a time where a lot of companies are trying to re-invent the wheel with their pencils, Kokuyo from Japan has made a relatively inexpensive, minimalistic, and comfortable mechanical pencil. The PS-FP102 (Pencil Sharp {my guess from the website}) omits several things that could be thought of as standard, and uses that effort on a sturdy and comfortable design (that is, from what I understand, ostensibly for children in school). Is the trade-off worth it?

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The body is one of the simplest to be found on a mechanical pencil, being mainly a vaguely triangular-ized (at least the “frosted” versions are triangular) cylinder with a rubbery coating for the 4 ½” body. Sticking out a quarter of an inch on the back is the click-advance button, and five eighths on the front is a plastic cone, from which a smaller metal “lead-pipe” can emerge bringing the total length of the cone to three quarter inches. Printed (maybe stamped or adhered) on one of the facets is all of the information about the pencil (which seems like it will rub off in the future but has withstood use so far).

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The body can be unscrewed at the cone, revealing that the rubberized triangular barrel is just a sheath, and the cone mechanism can be pulled from the front. As far as I can tell no further takedown can be done and neither of these operation provide any real benefit that I can see beyond checking how much lead is in the pencil (through a convenient window {the view on my frosted black version from the outside is blocked}) and perhaps clearing out the front mechanism.

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Writing performance is good; the lead is a .7mm and presumably HB (there are also .9 and 1.2mm versions). It’s a bit too thick for what I usually like to write with (.5mm) but it is fairly break-resistant and smooth, which would be good qualities for a school pencil, and from what I understand that is what it was originally designed for. There is no eraser or clip (though there is a version of the pencil that comes with a stand-alone eraser and friction-fit clip) and instead of having to remove a back piece to insert lead there is simply a hole just big enough to fit the lead through that lead can be fed into. Once it has been pushed all the way in, it enters into a larger reservoir and will not likely find the correct angle with sufficient force to come back out of the hole. It’s honestly a pretty elegant lead-feeding system if one doesn’t care about having an eraser.

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The click-advance mechanism is very smooth and workable, but unsatisfying. The metal “nib”/lead-pipe at the front does retract and advance with the lead, neatly preventing any damage that it would cause but being a bit fiddly (it’s easily possible to retract the lead and not the metal piece, which is a bit of a strange situation). And the rubberized, triangularized grip is very easy to hold, not slippery at all, and quite comfortable (though not my preference), especially for hands just learning to write (it keeps fingers in the proper orientation). I must say, though, that it only barely resists rolling off the table more than its round counterparts.

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So instead of an eraser or clip, this pencil provides an elegant lead-feeding system, comfortable and chucky triangular grip, and a stow-away point. All of which make it a good fiddly-bit-free pencil for students, and with a slide-over clip and external eraser (the integrated ones are never enough) it might also be a preferable one for artists or in the office. For the mostly reasonable price of ¥180 (≈$1.55) it’s a solidly designed, well built little pencil that seems like it would last under a bit of stress and is certainly worth checking out if you want a triangular grip or to forgo the standard integrated eraser for greater lead convenience.

Review – OHTO Sharp Pencil APS-350ES

I like tiny, pocket-sized things. Especially writing utensils, like the Fisher Space Pen Stowaway, the cheap touch screen styluses, and now the subject of this review, the OHTO mini Sharp Pencil. All of these happen to be the same size. So the OHTO is cool both in that it matches many other small items you can buy, but it also might be the smallest mechanical pencil I have ever seen, being a little over 4 inches long and less than 3/16ths of an inch in diameter. But at that size will it still work well? Let’s take a look.


The design is meant to mimic a wooden pencil. The outside of the pencil is actually made of wood and has a hexagonal design. Mine is in green, with silver printed information on one facet. The tip is sharpened like a wood pencil until about halfway when it is replaced by a metal cone that leads to a very short lead pipe. On the back there is a clip that is a separate piece of metal bent around and friction fit. Beyond that is the click mechanism that is really only usable when the eraser holder is installed. The eraser holder is quite a simple piece of metal that keeps the lead in the feeder, depresses the click mechanism, and holds a very small eraser. The wire-thin piece of metal attaching this piece to the body seems rather flimsy and easy to remove, but I have had no problems with it shaking loose: it simply doesn’t have enough mass. Likewise I have encountered no problems with the quality of any of the components.


The lead seems to be HB. I don’t have the package (which is rather understated and nice by the way) with me so I don’t know what it is exactly, but I have no complaints. It writes well, and can be sufficiently dark. The eraser also works surprisingly well for its size, with very little being used to rub away quite a bit, but I wouldn’t say it’s a great eraser. The click mechanism is satisfying and the lead is held very securely in place when one is using the pencil. The clip is also very good for the size, easily holding it in place while not damaging anything.

In the end, for on-the-go sketching or writing I would certainly recommend this product. I also wouldn’t recommend it at all for stationary or desk-related activities. It is very small, and while that makes it portable, it isn’t the most comfortable of writing implements. It will hold up very well in a bag or a pocket, and it looks quite neat in my opinion. I’d just say be careful of the back end being knocked loose and stock up on some extra erasers and lead (it only comes with one of each) as one will likely run through them pretty quickly.