Review – Sharpie Colors Part 3 Greens – Green, Lime Green, Mint, Aqua, and Argyle

Now I’m on the third part of my look at all of the Sharpie colors that I have. I’m not sure I need to introduce the color green to you, so I’ll just get into it.

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Green – This green is a very dark color, even more so than the standard green color most art supplies feature. It’s a deep, leafy green that is quite natural but does look generically dark in bad lighting. On copy paper, it can be hard to distinguish for people with bad eyes. It’s also quite bleed- and feathering-prone, but on less absorbent papers all three of the last points are minimized. It’s a good generic color, but far from my favorite of the selection.

sharpie colors greens

Lime Green – The lime green is a variety of lime that isn’t an eyesore and looks sufficiently like the fruit to justify the name. It’s bleed- and shade-prone, but isn’t too bad on feathering. It is a very visible, not too bright to read, not too dark, and not too close to the standard green, making it good for organizing. It’s finally a lime color I would use.

Mint – The mint is more akin to ‘mint flavored’ than to the plant. It’s a very frosty, light green. It is still not too light to read, and is very distinguishable from the other colors. It’s also a fairly natural shade, so it works for art as well as the office, though this might be a bit extreme for some offices. It’s less bleed- and shade-prone than most of the greens, but the most susceptible to shading.

Aqua – Aqua is a nice dark blue-green color. I’d say it leans more to the green side myself, while the turquoise leans more to the blue (which is the opposite of real life). Still it is a very natural shade for both water and land. It is a darker green, but not one that I think would be confused with any other color, but it might be a bit out there for office use. It also has the least shading, feathering, or bleeding of any of the greens.

Argyle Green – This is the second and final color that I am dubious of my identification of. If you think I’m wrong, feel free to correct me in the comments. Argyle is a medium green very similar to the lime color but a bit darker. It’s got some bleed-through and feathering problems, but minimal shading. Other than that, I’d say it mimics lime well on the page: it has similar organizational and artistic properties, and would be hard to distinguish at a glance. It’s just not very original.

And that’s my look at the green selection of Sharpies I have collected. They are all very good for organization and artistic efforts, but they may stick out or be frowned upon in the office. They behave all right in terms of properties, but they aren’t the best in that regard. But I think they might be my favorite set.

Next time I’ll take a look at a collection of purple pens.

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Review – Sharpie Colors Part 2 Blues – Blue, Navy, Turquoise, Sky Blue, and Blue Ice

Now in the second part of my Sharpie color reviews I’ll be talking about the blues, a nice and varied set of colors.

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Blue – Blue is a very classic color and it looks quite a bit like the standard blue we’ve come to expect from various markers and pens. This one is a bit darker, though. The ink is more wet than the other standard colors and bleeds a bit. It’s also too dark to be natural and almost too much to be organizational, it is a bit too close to black in dark conditions, but with good eyes it can work. Still, it is very blue.

sharpie colors blues

Navy – This color is very close to the classic navy color, a bit close to black in low light, but it looks like a lot of navy colors. It’s a very dry color and has very little bleed and feathering/spreading. It’s a nice-looking color, but not a very useful one.

Turquoise – Turquoise is a difficult color to get down in ink, and none of them look quite like the stone. This one’s a bit dark, but it does make a good blue-green tone. The ink is very wet, and bleeds easily, but has very minimal feathering. It’s a very natural and pleasant tone, great for organization and for artistic purposes.

Sky Blue – This blue, like most of the blues in this set, is darker than it really should be. It’s more of an evening sky blue, or a wispy-cloudy blue. It bleeds a bit more than the turquoise and the blue, and is just as feathery. It’s a very nice looking and easily identifiable color that many office and artistic uses can be found for.

Blue Ice (Possibly Mystery Blue) – This color is the most contentious of the colors in my current review lineup. The package of markers I received was not marked, and of the other blue colors I looked at this one seemed closest. If you believe I am wrong in my categorization, I encourage you to leave a comment. This blue is a cool blue that I would say has no direct natural counterpart (certainly not ice, as this is the least aptly named), but it could be used as a substitute in many cases. I prefer it to the sky blue as a light blue. It can be used in art if one is creative and is very distinguishable from other colors for organization.

Overall, I really like the blue Sharpie colors. They are a bit bleed-prone, but they have a variety of uses and in many cases are work-appropriate. The tones are very natural and appealing. They’re a good set to get, if one can.

Next time I’ll be looking at a few of the greens that Sharpie has to offer.

Review – Sharpie Colors Part 1 Neutrals – Black, Brown, Slate Gray

I’ve taken a look at several of Sharpie’s products in the past, from their regular markers to pens and liquid pencil. But their main product comes in a large variety of colors I have not yet covered. I received a gift of a set of 24 Sharpie pens some time ago, but haven’t looked at them until now due to the fact that I didn’t know what the colors actually were. Sharpie and several other well-known pen brands are notorious for not having their colors easy to identify, so this series took more research than usual. I will say that I might not have identified all of the colors correctly, so if you see something that seems like it has been misidentified here, please leave a comment and I will reevaluate it.

With that said, let’s get to the pens.

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The first set I’m going to look at is the neutrals. There are only a few, which makes sense. But these are some of the most useful: they show on many surfaces, are not an eyesore in general, and are workplace appropriate.

sharpie colors neutrals

Black – Black is the gold standard Sharpie color (except for the actual gold ones) and it is very good. It is quite dark and professional. It does have a tendency to shade as most dark inks do, but if gone over a second time there are no problems. It’s pretty waterproof (they all are so I won’t mention that again), has almost no spreading or feathering, and is tied for the least show/bleed-through with navy. It’s a great, well writing color, but it can be a bit dry.

Brown – Next is brown, a color that doesn’t seem that popular (but I’ve ended up with a few, take that as you will). It is a very dark brown, distinct from black in even poor lighting, but it looks more like a gray in that case. It is also fairly dry, and thus feather- and bleed-resistant, though not as much as the black. It’s good for sorting, but not for art, really.

Slate Gray – I don’t know where the trend of having “slate gray” be standard gray started, but it continues here. This is a “just over the dark line” gray. It’s not a very natural color, and isn’t even something you’d really see in a city. It is very wet and really does feather and bleed, meaning it’s not the greatest for use on thinner paper. It is almost the same on both sides in that case, and it even goes through card stock a bit. I’d say it holds the title as wettest, and is just a boring color.

And that’s the neutral colors. They’re good for office use, and for sorting things by color, but for art applications they are limited. Next time I’ll take a look at a few of the blues Sharpie offers.

Review – Faber-Castell Pitt Artist Pen Brush Manga 6 Color Set

I’m not a Manga artist. And I usually don’t use color in my art. Mostly because it’s hard, like using brush pens is hard. What I’m trying to say is that my perspective on this particular set of art implements might not be the view of the average person who might find them very useful. With that said, let’s take a look at this set of Faber-Castell Pitt Artist Pens, the Manga 6 Color Brush set.

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The pens themselves are fairly plain. There is an indication of the size (“B” for brush, in this case) on the top of the cap. The cap has a set of groves running around it with a shiny finished top and clip. The clip is the same piece of plastic as the cap and does its job in an unspectacular way. The body is straight until the very end, which protrudes as a fluted section for posting, at which it’s effective. The body contains all of the needed information in several languages, which makes it seems a bit too crowded, but I can’t really complain. The section is slightly textured, which is wonderful; it isn’t slippery or uncomfortable. After that is a tapering section for the cap seal and the brush point itself. The cap seals and holds well onto this point.

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The brushes themselves aren’t of the bristle variety, but are more like a flexible porous point. This makes them much less finicky, and better for a disposable item like this one, as they would wear out faster than a bristle brush. Their flexibility is nice, going from a medium point to one several millimeters wide with relative ease, and they can be bent to some pretty severe angles without any long-term damage being done. The amount of ink they lay down is good. It increases with the pressure on the tip, and makes a full line. At times it skirts on “not enough”, and layering will definitely change the color significantly. Sharp turns with the lighter colors will leave a darker area on the corner. On office paper this amount of ink will bleed though, especially at the ends, but on cardstock there is barely show through.

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The six colors themselves are a decent selection, but not great: Dark Naples Ochre is a nice, natural looking yellow. Orange glaze is a bit pale and not really a color that is found in many places. Pink Carmine is a bit too dark and is hard to use. Purple Violet, besides having a redundant name, is dark and pleasant, but again not very natural. Phthalo Blue is a great looking lake or ocean blue, but is a bit dark for most uses, and Permanent Green Olive is quite dark and olive, which is more suited to deeply forested areas or jungle than to plains or some more common areas. Still, the colors interact with each other very well, and they dry fast, but do mix on the paper, meaning one can get interesting color combinations while still having their pens keep relatively clean.

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Overall, the set is a good set to introduce oneself to the Pitt artist brush pens. It has a nice simple selection of colors that allows for experimentation and can be used for the base of a larger set. But I certainly wouldn’t consider it a complete set for creating an art work. Many more colors would be needed, and more tailored to one’s specific purpose. For instance, there is very little here to make skin tones with, which would be very important in Manga. They’re very good pens, but the set is incomplete.

Addendum: I failed to mention the water/smear proofing of these pens when I first completed this post. Both of which are very good. When interacting with other inks or materials the lines generally stay solid, which is good for resilience but bad for blending. When hit with water the lines don’t move, but they do bleed a tiny bit of pigment.