Review – Faber Castell Black Velvet Pencil

If you’re at a second hand place, or a garage sale, etc, and looking for art supplies, you might wonder wether or not a discontinued item you find is a good thing to pick up or not. This might be the case with the Faber Castell Velvet pencils, of which I am covering the black ones here.

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The body of the pencil is nice and round. Its a fairly solid piece of wood with a wonderful grippy, but unintrusive coating. There is a simple eraser on the end, which, if it has been stored poorly or even suboptimally, will quickly become useless. The size of the body is slightly thicker than many other pencils, making it easier to handle and more comfortable to write with. On the side, over the black all information is stamped into the side, with some covered in gold.

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The lead itself is a soft number 2. It shades well, and writes smoothly. Really, it is a very middle-of-the-road lead. It has nothing particularly special. It is of average diameter and isn’t prone to breaking. It is quite good for sketching, but might require several other supplemental pencils.

Overall I’d say that if you’re looking for a decent all-around pencil and can find these cheaply, they’ll do the trick. They aren’t up to the super-high-quality standards of modern Faber Castell products but they do work very well. They are more comfortable than most other inexpensive, school-like pencils and can do just a little bit more. Check them out if they seem reasonable.

Review – Papermate Flair Part 2 Red

A while back I reviewed the Papermate Flair pen, and I was going to say that this was a review of the red version of the same pen; but really I intend this as a continuation of the last review after some more use, and as a review of the red color for the pen.

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I can confirm that the inner cap will keep the tip dry for extended periods of time. The clip is very difficult to use and is easy to get bent out of shape. And while the black pen has a problem with the color rubbing off, the red has no such problem.

The red color itself is more of a pinkish, and it’s kinda washed out. The line for the medium is spread out enough that it is very noticeable as a not-quite red. It isn’t very aggressive, so if one was grading papers and such and wanting to use something that didn’t offend the viewer, this would work. However, as far as I can see there are no other practical applications. Perhaps marking on technical drawings, but again there are easier and better solutions. Using the pen on a very absorbent paper will make a much deeper color, so that is an option.

Overall the Flair is still a great pen, but I wouldn’t recommend the red color as it is not a very strong red, or a good covering color.

 

Review – Pilot P-500 Rollerball Pen

When I was a kid I loved the stationery section, and office supply stores were like candy stores to me. One day at one of these stores (Office Depot?) my parents bought me a pack of pilot P-700s which I loved and used for almost all of middle school and some of high school until they all got lost or dried up. I liked them so much I only did personal work with them and not any regular school work. Recently I found a P-500 (one size smaller) in a store and decided to see of they were really as good as I remembered.

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The cap of the pen is clear, with a little black bit in the top.There is a visible small black bit inside to keep it dry. The clip is metal and very tight, it’s got a ball on the end and very easy to slip into a pocket. It has a 0.5 printed on it to denote the size. The barrel has all necessary information printed on it (extra fine). There is a granite texture covering it with a clear end ball. The grip section is ribbed and very grippy for how slick the plastic is. There is a gradual slope to a very thin metal rollerball point. The section is clear making the ink supply visible.

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The line is an extra fine (0.5mm I’m guessing) and is advertised as being precise, which I have a hard time believing with any gel ink pen. Maybe it’s just my hand, but when writing or drawing with a gel or liquid ink pen everything just slides all over the place. This pen is no exception, though I will say that it puts ink where you tell it to put ink and nowhere else, and does it very consistently.

The inks color is black, almost the same as the pilot G2 black but a little warmer and a little lighter. It is a very good black for almost all writing and drawing purposes. It doesn’t cover well, but who uses an extra fine pen to cover anyway? The ink is very consistent and really nothing special in any of its properties otherwise. It flows as well or better than one would expect from a pen of this price-point.

Overall, these are great pens, both for writing and drawing, but they are not technical pens and cannot replace them for a finished product. They are comfortable to hold and smooth writing. Just better enough than other pens to justify their price. They are a good in-between or starting pen, but not to be used for a finished product.

 

 

Review – Manuscript Calligraphy Scroll 4 Nib

So this week I’ll be doing a quick review of the Scroll 4 calligraphy nib by the Manuscript Pen Company.

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The scroll nib concept is simple enough: it splits a regular italic nib with a second slit and a notch out of the middle, thus creating two lines when applied to the paper. The Manuscript scroll 4 has this simple design, with “No.4 Scroll England” stamped into it as well.

Writing is much easier than with a standard calligraphy fountain pen nib. The feed seems designed to keep up very well with all kinds of calligraphy nibs. Very little pressure is required to write and may even hinder performance at times. Each line is about a millimeter wide with one being slightly smaller than the other. To write with this nib, one must adjust their calligraphy a little bit but not very much, it is a very easy nib to use, though even with gentle use the small tines get misaligned every now and then, causing them to pop and either momentarily spit a small glob of ink or skip.

Overall this is a fairly nice nib that is well suited to its purpose of calligraphy, and while it doesn’t have many other (if any other) uses, it is still quite fun to play around with sometime, and this particular one doesn’t cost much.

Review – Sheaffer Calligraphy Maxi Kit Part 3 – Ink – Blue, Black, Purple, and Turquoise

Now onto the Sheaffer inks in the Sheaffer Calligraphy set, which I will do in batches as I get around to trying them out. I’ll be starting off with black, purple, blue, and turquoise.

Surprisingly Accurate Photo

Surprisingly Accurate Photo

First black, which is a plain black, really there is nothing special. It’s a cool black that is very dark, but is not as saturated as one would want a black to be most of the time. For calligraphy and drawing it is good for the most part (being non-waterproof) but I wouldn’t go painting a picture with it.

Second purple, a color that has no place in a calligraphy set (something that can be said about every color that isn’t black, in my opinion). The purple is a nice deep purple with lots of shading in wider lines, though the shading doesn’t offer a great amount of variation. I personally wouldn’t use this for calligraphy and would have a hard time finding a use for it. But it is very pleasant.

The blue, Sheaffer blue, like all pen maker blues is very simple: a dark blue without much shading that does well with writing and okay with calligraphy. It is a fairly standard blue, non-waterproof and it almost looks like a ballpoint pen. Like I said, though, it is a bit darker than some others, so you might want to look into it if you want a darker blue.

Finally turquoise, which again I don’t understand being in this set. It is a very bright, nice color. It has some shading (which I’m not too fond of) but overall is fairly bland. A nice sky or Caribbean sea color, but not one for calligraphy but for daily writing in my opinion. You wouldn’t want to color a turquoise rock with it either.

That’s it for this time, It may take a few weeks, but I’ll look at the rest of the colors sometime in the future.

Review – Sheaffer Maxi Kit Calligraphy Nibs

Now, for the second part of the Sheaffer Maxi Calligraphy Kit review. This one might be a bit short as I’m going to be looking at the three included nib sizes: Fine (1mm), Medium (1.5 mm), and Broad (2 mm).

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The nibs themselves are Italic, meaning that they are flattened and straight at the tip, thus producing a wide up-and-down stroke and a thin left-to-right stroke. They are true Italics, with no tipping material, and sharp edges that may cut into the paper if one isn’t careful, but they are a bit more rounded off than a dip pen Italic would be. Because there is no tipping material, the stainless steel of the nib is easier to wear away and damage from rough use. Although this doesn’t happen often as steel is still a very robust material, it is worth noting.

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Each nib has almost the same left-to-right width, but the up-and-down stroke width is equal to the size of the nib stated above (1mm,1.5 mm,2 mm). The fine nib can be used for regular cursive writing, but the medium and broad nibs should not be used for cursive writing as the size necessary would render writing impractical or illegible. Although the corners of the sharp nibs can cut into the paper, they aren’t quite sharp enough to make the sharpest of line turns. To most eyes, the angles appear spot on, especially when compared to the round corners of regular fountain pens, but when compared to a dip nib they are a bit lacking. Overall, the nibs a very functional and useful in a variety of situations (at least calligraphy situations). They provide enough variation to not be bored with inking up three pens, and even without a tipping material will last through quite some use.

Review – Sheaffer Maxi Kit Viewpoint Pen Body

I have talked a lot about specialty pens and the like. Now it’s time to talk about another one, this one specifically for calligraphy. In this several part review I’ll be talking about the Sheaffer Calligraphy Maxi-kit. In this first part I’ll talk about the included pens, the Sheaffer Viewpoint.

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The cap of the Viewpoint is a cylinder with a slanted top. This slant has Sheaffer written on it as well as the size of the nib meant to go with the pen (in this kit at least). The bottom of the cap has a chrome band with Sheaffer written on it. The clip is simple, but functional, having a small ball at the end, up near the top is also the white dot that signifies a lifetime Sheaffer warranty (possibly).

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The barrel of the pen is also a simple cylinder, except it has a rather large hole cut in two sides to create a viewing area for the cartridge or converter (get it). The barrel’s end is also rounded so it won’t stand up.

The (grip) section is made of dimpled rubber and is sufficiently grippy and un-intrusive. Just after the grip is a small piece of plastic (color matching the barrel) and then the nib directly. There is a rather steep step to nib from the section, making the nib look perhaps a bit small. The feed is well hidden and works fine for the purpose, but on some pens can be finicky.

Overall the Sheaffer Viewpoint body is a sturdy, and functional design, even if it’s not the most comfortable. Its real purpose is to get a nib to the paper and it does the job quite well. Though it is a bit weaker than previous Sheaffer models due to the hole.

Review – Speedball Super Black Ink

Let’s get to inks. If you’re drawing you might want to try out some India inks. I’ve already taken a look at Higgins India inks, but today I’ll be looking at Speedball Super Black. The ink comes in a plastic half-cone container, that is fine for dipping as it is very wide. It is very full though and can be easily spilled at first, so be careful. The cap has a foil lining that isn’t very good and ink gets on the rim and underneath it constantly, so be careful when opening and closing as there may be ink where it isn’t supposed to be.

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Now on to the ink itself. It is black, and when I say black I mean black. It has virtually no greying even when applied in the finest or broadest of nibs or brushes. It goes on black, and it dries black. Though it is a warm black with a hint of yellow brown when applied very thin. It does dry fairly quickly, though not the fastest, and it doesn’t feather on any paper I’ve used, even in large amounts. It doesn’t bleed through the page, but it does have some show through and page buckling in larger dollops, so it should only be applied in one coat. It is quite water-proof as in it doesn’t even move when water is applied to it, though that is because it contains shellac which can clog up pens and brushes if not washed out properly. They recommend ammonia for that but soapy water applied right after use should do the trick if nothing else. It can also be diluted for washes etc, but because it is heavily pigmented this is not the optimal ink for the purpose as it could go bad quickly.

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Overall if you want a BLACK drawing ink and can handle the problems pigmented ink presents this is a fairly cheap ink that may just be exactly what you’re looking for.

 

 

Review – Pentel Sign Pen

A felt tip marker can be a useful art supply. If you want to use a high quality marker pen from a well established brand, and don’t need a particularly thick line, the Pentel Sign Pen may be the thing you’re looking for.

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The pen itself is black, fairly flat, combining the worst of matte and shiny blacks. The base has a small tan disk. It’s got a slightly hexagonal design, and both ends taper down to a cylinder. The cap is in the same design. The clip is a long piece of plastic, and it ends in a slightly sharp, shirt tearing, tip. The grip section tapers down to a metal holder and a thin felt tip.

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The ink is a nice black, and it is very black. The tip doesn’t seem to have much line variation. It looks about the same no matter the pressure. Using enough pressure to give variation would damage the tip. Tilting the tip can cause some variation. The ink is mildly waterproof. It does turn grey and does smudge heavily, though it doesn’t fully disappear and can in most cases be read.

So if you need a fine-to-medium point, water-resistant black marker, which sounds specific but really isn’t, this could be the pen for you. In my opinion it is more comfortable than a sharpie, and is a bit smaller, which is nice. It is a very good pen for line art especially on larger works.

Review – Prismacolor Premiere 4 Pen Black Set

Some people don’t like Microns, or they just can’t get them. There are alternative technical pens for those, fortunately. There is a set that is even sold in WalMart: The Prismacolor Premier 4 pen set.

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The body of the pens aren’t particularly nice. They are black with an abundance of text. The cap is short with a thin metal clip. The cap is hard to grip and kind of ugly, as it fits on tightly but is hard to remove. The cap can be posted, but is also hard to remove there as well. The section of the barrel that is covered by the cap is short and hard to grip but not uncomfortable. It is slick.

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This set has 005, 05, chisel, and brush tips. They lay down a nice black line. They are archival quality, so they are fade-resistant and acid free. The ink flows smoothly, with the occasional hiccup that happens in all technical pens. The 005 and 05 have a similar size and tip feel to Microns. The chisel is a nice tip, but it is a bit weak and seems like it won’t take much abuse. The brush seems more like a long marker than a brush, and it is not very flexible. It does have quite a bit of line variation, though, when you really push it hard. It’s just more difficult to use.

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Overall this set is a nice one, and it’s cheaper than most other technical pens. They are a bit uncomfortable, and the ink is a bit worse than some of the competitors, though they are quite nice. For the price of a little bit less, they offer just a little bit less. They work great and will serve admirably at their purpose. They just aren’t the best on the market.