Review – Pilot BP-S Medium

Posted on December 24, 2014 by Dragon Co (Austin Smith)

For quite some time, pen companies have been trying to come out with the “superior” ink. And many succeed in varying ways. Every ink has its benefits and faults. The Pilot BP-S (which I can only assume stands for “better pen” as it uses the “better” refill) claims to have a “revolutionary” ink (perhaps when it was first made) that is very smooth and writes the first time. But all my quotation marks just make me a skeptic. Let’s look at the pen.

The body of the pen looks like a hyped-up Bic Cristal. It’s got a similar hexagonal shape, with a black end cap that screws off for easy refilling (with the Pilot better refills). The body is clear with a minor amount of information physically molded into it. It’s enough to tell you what you’re using. The grip is series of tiny ridges that lead all the way to the metal cone tip, and are surprisingly grippy compared to the rest of the pen. The refill in this model is medium, and it comes out a ways beyond the cone. The cap is nothing to write home about, though it does have a flat surface for easy removal, which is nice.

On to the writing. I can tell you for a fact that no pen that isn’t liquid ink will write the first time every time, but this one comes close. It does take some pressure to start, usually, and a more constant pressure to continue writing than a regular ballpoint, but the overall experience is smoother. With the right amount of pressure, the ink comes out in a consistent line, and with a little let up, a serviceable one with a few gaps. Neither of these options are more strain on the hand than a regular ballpoint. The ink is black, most of the time. Sometimes it’s more of a cool dark grey. And that’s fine for any office setting, though not really for art. It is also smudge-resistant and water-resistant, like most ballpoints, so it will survive a spill as long as the paper does.

Overall it’s a good pen. Perhaps it was better comparatively when it was first introduced. It is nothing terribly special, but it is superior to standard ballpoint offerings from most major companies. Again, just slightly. If a ballpoint is the perfect writing or art utensil for you, but it just isn’t quite smooth enough, these are probably worth a look. They certainly don’t cross over into the realm of feeling or acting like another type of pen, which unfortunately tends to happen with these “smooth” inks.

Review – Zig Millennium 005 Technical Pen

Posted on December 17, 2014 by Dragon Co (Austin Smith)

There are a lot of technical pens out there, and I’ve only looked at a few. Today I’m going to try and remedy that a little bit by doing a review of the Zig Millennium technical pen, specifically the black 005 version.

The pen body is a bit odd. The bottom is a small, rounded piece of plastic. The barrel is silver and covered in writing. All necessary information is printed in several languages. The cap is nothing really special either: the top is flat with the tip size on what looks like a black plastic cutaway; the clip is simple, with a rounded end similar to a Pilot Precise or Uni-ball Vision. Interestingly enough, it says to keep the pen horizontal, but gives one a pocket clip. It’s the section of the pen that’s strange: it’s very small and nubby, it rounds off quite quickly and the ridges used to keep the cap in place are quite noticeable. It terminates rather abruptly into a metal end that leads to the tip. I’m not sure if one is supposed to hold the slightly uncomfortable section when writing or move back on the pen and place the fingers over the written portions of the pen, which I can feel the ink is raised up on, and will likely rub off quickly.

On to the tip. It produces a very thin line, around the same width, but perhaps a bit wider than other brands of the same size, though that may just be the paper being used. The ink is archival quality (haven’t tested) and waterproof (have tested, is quite!) though that is to be expected from a pigmented ink. The black is quite black, and a cool black, which is nice, as many blacks tend to be warm. Writing is smooth and there are no skips or bumps with a good tip, though it will wear out after some time.

Overall it’s a good little pen, and quite comparable to the other technical pens in terms of both quality and price. I can’t speak for whether or not the rest of the line is wider than its counterparts from other brands, but that might be something to consider when purchasing. Otherwise, I’d say it’s almost entirely an æsthetic and comfort choice for the user.

Review – Pentel Handy-Line S Permanent Marker

Posted on December 10, 2014 by Dragon Co (Austin Smith)

I personally don’t have much use for permanent markers, but quite a few people do, especially for the “fine” tipped ones like Sharpies. But regular permanent markers are kinda boring. Today I won’t be looking at one of those, but at a more interesting Pentel Handy Line S.

The pen body is kinda ugly. It’s a very straight-cut tube in black, with lots of logos and text on it (though I have seen worse text on many items). The overall design is boxy. Up near the top is a very positive clicking mechanism that feels quite robust. The click it gives off is super satisfying, as well. The clip is nothing really special. It is a bit sharp and might tear cloth, but it won’t break. Interestingly enough, there is a mechanism underneath the clip that will disengage the clicking mechanism when the clip is moved away from the barrel, meaning that if you do put it in a pocket it will automatically retract, which would hopefully save one from some of the mess that would cause. The rest of the barrel is straight and black, with some writing. There is a slight curve before the retractable point, which has a nice cover that blends in with the pen to keep the marker tip from drying out.

The writing is quite black: I’d say slightly warm but not to noticeably so. The pen is a bit dry when it is just beginning to write, but that is quickly worked through. I will admit that I haven’t given it the most rigorous testing possible, but the ink is suitably permanent. It doesn’t smear or feather when exposed to water, and writes on many different surfaces. The ink also has a very peculiar smell that is like no other marker I’ve used, though I probably shouldn’t sniff it regularly. The body of the pen says it’s refillable as well, though I can’t for the life of me figure out how that would work, but it’s cheap enough to replace.

Overall, for a retractable permanent marker, I’d say this one hits the nail on the head. It works well in all places and has no glaring flaws. It isn’t that expensive and can be used for all sorts of things. Whether or not the features make it worth tracking one down is up to you.

Review – Up&Up Double-Sided Tape

Posted on December 3, 2014 by Dragon Co (Austin Smith)

Well, you can call me out of ideas again (but not Shirley). I’m going to be looking at tape. This time it’s the type of tape you never realize how much you need until you get some, and that’s double-sided tape. Specifically, from the brand Up&Up.

The container is nothing special, it’s thin and plastic-y, but still flexible. The teeth are solid, and do a good job of cutting the tape. Everything is cheap but everything works on it. The tape can also be taken out and used in a different dispenser, though it is slightly thinner than regular Scotch tape and one must be careful to have it not stick to the inside of the dispenser.

The tape itself is good. The sides both stick strongly, and equally so. The tape itself is stronger than the adhesive, so it will come off before breaking. It is fairly pliable but it loses its adherence fast, so nothing that moves a lot, or will be handled, will be stuck for very long with the stuff. But really it’s for posters and scrapbooking, and for that it works superbly. It is quite transparent, but that only really matters if the things you’ll be sticking on both sides are transparent as well.

In the end, it’s good tape. It might be slightly below Scotch tape (in my opinion), but really not enough to tell. For any of its main uses it will serve well, and double-stick tape is really useful.

Review – Uni-Ball Kuru Toga Mechanical Pencil

Posted on November 26, 2014 by Dragon Co (Austin Smith)

When talking about mechanical pencils, as with many things, it’s hard to get away from the idea that there must be some way to improve upon past designs, and that the standard design we use today has enough flaws in it that seem easily fixable that they should be promptly corrected. The Uni-Ball Kuru Toga is a mechanical pencil that is designed to fix one of the long-standing problems with pencils: unevenness of the tip due to use. Let’s see how it works out.

The body of the Kuru Toga is quite simple. The barrel is almost entirely featureless until getting close to the point, where there are a few ridges for “grip”, and then a small metal step-down to the lead point. Interestingly enough, unlike most mechanical pencils, this metal step-down is not integral to the design and the pencil will function fine without it. At the top is a small click-advance system, with a transparent eraser cover that is the accent color. The eraser is small, but works quite well, and most packs come with a few replacements. The cover makes a satisfying clicking noise as it moves into place. The clip has all the info you’ll get about the pencil, which is just enough, though not very much. The clip itself is functional, but not the best. The barrel is semi-transparent with a logo, giving the pencil overall a very interesting look.

The lead is HB, and, according to the package, diamond-infused. It is harder than most other HB’s I’ve used, and I haven’t had a lead break on me yet, though that’s more because of the lead advance, which tends to give less instead of more, meaning I have less lead available to break. Overall, the lead is smooth enough and doesn’t write very bold or dark. The real feature of this pencil is the turning point, which acts with the pressure of writing and supposedly turns the lead to prevent breakage and to create a more even tip. I’m not sure if it works, or even if it is working, as I’ve never felt it when using the pencil, but I have also never had the lead break, so there’s that. I wouldn’t say it improves the writing experience by creating a sharper point, but it certainly doesn’t make it worse. Perhaps this feature for me is unnoticed since I naturally rotate the pencil around in my hand willy-nilly. That’s just how I write.

So overall, how well does this pencil do? Pretty good, I guess. I’m not a fan of the overall design, and the lack of any grip on the smooth plastic can make it hard to hold. Like I said, I can’t even tell if the feature is working, but I’ll go ahead and say that, at least through a combination of factors that went into the design of the pencil and lead, it is much less prone to breakage than other models. So if you have a problem with breaking your leads, I’d certainly have a look, but if you value the comfort in hand more than the lead quality, I might look elsewhere.

Review – Pilot Precise Colors, Green and Purple

Posted on November 19, 2014 by Dragon Co (Austin Smith)

I’ve taken a look at the Pilot Precise V5 pens before, and they’re pretty good pens in the standard compliment of black, red, and blue colors. But they also have a few other colors available, and in this little review I’ll take a look at the purple and green offerings.

First the purple, which is much darker and a much truer purple than most, which are more a fuchsia. The color is deep, but not deep enough to be washed out. It could still conceivably be used in an office setting, but might be pushing it. And while there are rarely truer purples, it doesn’t have a very natural look to it. Perhaps it exists in some deeps shades of flowers, but otherwise it is far too dark. Startup with this color is easy, and while it does fade with water, it is still readable.

And second, the green, which again is much darker and much truer than other greens. It is unmistakably green, but darker than what one would usually think of green as being. It doesn’t get close to a forest or hunter, but certainly is far from a light or lime. I couldn’t think of any office uses, unless you’re a teacher who doesn’t want to use red. It is just light enough to stand out and not look professional. In art, though, it is a wonderfully natural color, and it shades a little bit for interesting effects. It has a bit of a startup problem (or a drying out problem) and is the less water-resistant of the two, but it is still adequate.

Is it worth moving over to Pilot Precise pens just to get these colors? Unlikely, but they are great colors that add to an already nice lineup. I enjoy them, and very similar colors are hard to find in disposable rollerballs or gel pens. They might be worth a look.

Review – Scotch Transparent Tape

Posted on November 12, 2014 by Dragon Co (Austin Smith)

If reviewing Scotch Tape means I’m out of ideas, then call me out of ideas (I do have plenty more things to look at, though). But really, who doesn’t have a use for tape? And when buying that tape, couldn’t shaving off several pennies save quite a bit of money over time? Is the brand name really worth it (It’s pretty generic-sounding, now, isn’t it)? Let’s see.

First thing, the container: Scotch Tape comes with a clear plastic, simple, but quite durable dispenser. The roll of tape is clicked into place on the wheel and at the front are several teeth for separating the tape into strips. Is any of this the best quality? No, but it gets the job done, and very cheaply. If one has a tape dispenser that they like, individual rolls can be bought, so I’d say that this works quite well.

Now onto the tape itself, which certainly isn’t “magic” or “invisible”. The stuff I’m looking at is just labeled “transparent”, and that it is. The tape is easy to see through and sufficiently sticky that it will hold most documents together without a problem in either holding or reading. In fact, the tape itself is very strong, and the adhesive is more likely to break than the tape itself (or perhaps what it’s taped to). Given that it does have a certain rigidness to it, though, it isn’t a tape for repairing any item that, like a tool, will be used, or will move. It is surprisingly strong, but really only good for paper products.

Now, is it worth it to buy Scotch Tape and not some other tape? Given how inexpensive Scotch Tape is already, I’d say yes. And if it isn’t right where you’re shopping, I’d even hunt around for it. The two rolls that come in a pack for around a dollar will last for quite some time. And I’ve seen other brands for around the same price that cease to be sticky once they came off the roll. In short, there’s a reason we say “Scotch Tape” and not “transparent adhesive tape”.

Review – Papermate Mirado Black Warrior

Posted on November 5, 2014 by Dragon Co (Austin Smith)

There are a lot of pencils out there, and it seems there are even more cheap pencils (that isn’t possible, I realize, but it made sense when I was typing it). How good can some of these pencils be? Today I’ll be taking a look at the Paper:mate Mirado Black Warrior Pencil.

The pencil body is simple and round, which is surprisingly not a standard pencil shape. I always had round pencils at school (a set of leftovers from my father), and people always liked the way they felt when I loaned them out (which is why I lost so many). The shape is quite comfortable, and just that little bit better than a hexagonal pencil. The set of pencils that I received have a satiny finish that make them fairly grippy even with sweaty hands (from what I understand, they used to be more shiny and slippery). The rest of the body is a plain black with “Mirado Black Warrior” in gold on it in a poorly chosen font, as well as HB 2 and the Papermate logo, the hearts of which take away from the “warrior”-ness.

The back of the pencil has a standard pink eraser, which does its job and hasn’t dried out in the time I’ve had it. I’d guess it isn’t the best quality and if you always want to erase what you wrote I’d recommend getting a dedicated eraser, but these work fine for most of us. The lead is HB, but feels much softer than most HBs I’ve used. Perhaps that is just me, but I’d say it is at least a little softer and it covers smoothly and well. A good pencil for filling in scantrons or shadows. Because it is so soft it is not too great at holding a point, though.
Is it a good pencil? Definitely, and for the money it’s really just a matter of preference.

There are loads of good pencils in this price range, so if one that is round (make sure your desk isn’t slanted) and has a slightly softer lead sounds good to you; or maybe you just like the “stealth” idea of an all-black pencil, this one is at least worth looking at. And like I said, for the price almost anyone could afford to pick up a box to compare to any other pencil they happen to be using.

Review – Moleskine Volant Notebooks (Tiny)

Posted on October 29, 2014 by Dragon Co (Austin Smith)

I’ve talked about Moleskine books in the past. And while they aren’t the greatest of notebooks I find them to be my favorite for a number of reasons. The size and sturdiness of the covers are the main thing I like, but what if both of those things were taken away and I was left with a small and flexible notebook? This time I’ll be looking at the Moleskine Volant Pocket notebooks.

Moleskine Volant books are small, pocket sized books about 2.5×4.125in., which is a very odd size indeed. There are twenty-eight sheets or fifty-six pages. They are all perforated and standard moleskine paper with only a few lines. There is a page on which a name and address can be written, but no pocket in the back as these books are much too small. Moleskine is imprinted on the back of the books and the cover texture is similar to the regular Moleskines.

The spine and cover are quite flexible and the binding is hidden from view. After only moderate use the edges will start to peel and bend, but do hold up very well, and any pocket book is bound to get damaged to this extent. They’re a bit plastic-y, so the amount they hold up isn’t remarkable, but it is good enough to get the job done.

The paper is standard Moleskine. It’s thin, and you wouldn’t want to use both sides even with a ballpoint for the bleed/show through. The perforations work quite well and I’ve had no problems with mis-torn sheets. The paper is fairly strong and archival as well as smooth. So the overall experience of writing on it is not bad if one’s pen choice is correct (it’s not a liquid ink type of paper). The ruling is spaced such that not too terribly much can be placed on a page, but at its size, there isn’t much more they could do.

Overall, these notebooks are wonderful for their size. If you have a pocket that would fit one and need to carry around a notebook this is the one I’d recommend. They are a little bit pricy, but I don’t know of another notebook of similar size in a competitors range. So it might be your only option. And it’s a good, even if not the best possible, option.

Review – Zebra Sarasa Colors – Hunter, Fuchsia, Cobalt, Light Green, and Violet

Posted on October 24, 2014 by Dragon Co (Austin Smith)

After the first five colors in the ten-color pack of Zebra Sarasa pens, the colors get a bit less conventional and a bit more extreme. Let’s look at the Zebra colors Hunter, Fuchsia, Cobalt, Light Green, and Violet.

First Hunter, which is a dark bluish-green, a bit more blue than usual hunter greens, which seem a bit warmer. The color is very deep, and in some places could easily be work-friendly. It is a very natural color and could easily fit an artist’s needs for a deep green. It lifts the most when exposed to water, but like the rest of the colors here, it doesn’t really budge to smear once it dries.

Next Fuchsia, which I’d call rose, but that’s just me. It sits on the fence for me between a deep pink and a light purple. I can’t really tell which it is. As far as either one goes, though, it is a very appealing color that, unlike other pinks or light purples, doesn’t hurt the eyes. It’s more of a flower color than anything else.

Third is Cobalt, which is a very grey blue, though I’m almost tempted to say it’s the other way around. It’s a dark and dim color that gives off a wintery feeling. Artists could find a use for it in many winter themes and its color is just subdued enough that it would likely be a good office companion and still let you stick out.

Fourth Light Green, which is almost lime. It hurts the eyes a little, but it isn’t terrible. I’ve certainly seen worse. It doesn’t look very natural, and it’s slightly hard to read. It might make a good color for marking mistakes, but otherwise its uses are limited.

And finally, Violet, which is bright and indisputably purple. It’s a flowery purple and that’s the only really natural parallel that I can think of. It also might not be work-appropriate because of its brightness. But it is superb in readability, not dark enough to blend in in low light, and not light enough to disappear on the paper. For casual writing, this one would be a keeper.

And that’s it for the ten pack of Zebra Sarasa Gel pens, I think they’re great little things, with an interesting color set in which some aren’t often seen, let alone this common. They’re nice inks, and I’d go for them if you like the pen.

Art Supply Critic

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