Review – Alvin Isometric Graph Paper (8½ x 11)

One of the hardest things in art and design is getting perspective down. And while many organic things can be fudged to look fine, there are some times where a more precise and technical perspective must be used. That’s where isometric graph paper comes in (at least for 2-point perspective), with rulings that serve as guides for simple-but-precise shapes rotated at 45 degrees (or hexes). The particular brand I’m looking at today is Alvin.

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The paper comes in a pad of 30 sheets with a cardboard back and cardstock cover. The “spine” is simply glue that allows pages to be easily torn off. The paper itself is a pretty standard 20 lb weight that resists bleed-though on ballpoints and smaller felt tips. Rollerballs, larger felt tips, Sharpies, and the like will bleed, but not terribly. Show through is pretty bad, and the second side has no graph so I can’t recommend the back for use.

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The graph has a ¼ to ½ inch border around the edge with some basic information printed on it. The graph is just under 10 ½ inches by 8 ¾ inches, with lines coming from the border at 30, 90, and 120 degrees every quarter inch. The lines are a light blue and will not show up on simple scanner, and very faintly on more modern scanners when set to greyscale. Still, they can be easily removed and don’t photocopy well, meaning the drawing or diagram can stand on its own.

The grid is very helpful in creating simple outlines for 3D shapes and places, or hexes for board games and tile patterns. The paper is pretty unspectacular but it’ll get the job done. I have no clue about its archival properties, but since they aren’t advertised I’d say they’re minimal at best. They’re a fun thing to mess around with and a useful classroom tool, but they might be left behind for more serious art and design.

Review – Office Depot 20-Pound Copy Paper

By: Austin Smith

When one is starting to review art supplies, it’s difficult to find a starting place. So I picked the thing all art is put on; paper. More specifically I’m starting with Office Depot, 20-pound copy paper. The kind of thing that everyone has access to. And the kind of thing you’re most likely to start making art on. (or at least preliminary designs)

20-pound paper isn’t that thick, take it off the table and you can see right through it (not clearly, but you can). It obviously won’t hold much and buckles almost instantly in moisture. Thus it won’t be useful for anything more then pencil or light ink. Although it being copy paper and 8.5″ X 11″ it probably won’t be what your finished piece is on.

 

The paper is slick, mostly, it’s got enough grip and texture to not feel glossy and go sliding around on you. It takes both ink and pencil very well. When using a good eraser, pencil almost completely disappears. The ink shows through the paper, the pencil does not. And the texture is fine enough that it is barely noticeable to the naked eye. Which is something good if you’re planning on creating a workable draft of something and not just sketching.

The fact that this type of paper is almost universal and its small size make it great for sketches and drafts. Its main limitation is that, aside from copy paper, its dimensions are almost never used. Most printed and official online “art” documents use different aspect ratios from copy paper, making it almost exclusively for drafts and amateur art projects (in the art world).

It’s always good to have some around, to sketch or to find out how things fit together, and it can always be scanned and posted on a Blog with ease. It’s obviously a starting material, but one that never really leaves the desks of experts.

It’s also really cheap, which is a bonus.