Review – Sharpie Clear View Stick Highlighter

I would imagine that somewhere within the companies that produce writing implements there is an R&D department or team, whose task it is to come up with new products that will sell and grab market attention. I would also imagine that this job is fairly difficult at this point. Not only are physical writing implements perceived as being on the way out, but those that are around have been honed for decades to be exactly what the markets are looking for. In other words, I’m not entirely sure the motivation behind “improving” highlighters with the Sharpie Clear View highlighter was actually an intention to make the product better. But maybe it does. Let’s take a look.

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The main bodies of the pens are a matte plastic matching the color of the ink. They’re more ovular, rather then entirely cylindrical, and they taper down to the end more in one direction than the other, making their ends appear squished (or chewed on, like the ends of many pens I’ve seen). Underneath the cap is a shiny black plastic section that is slightly more slippery than the body but doesn’t really impede use. This tapers down slightly and from it protrudes a very angular, chisel-shaped felt highlighter tip. Inside this tip is a similarly shaped piece of clear plastic that both holds the tip in place and allows the user to see through it. The cap is made of a frosted plastic to allow one to see the special tip through it and the packaging, while being soft enough to not shatter easily (like many clear plastics would). It has an integrated clip and posts securely, but with a strangle wobbly feel from the “squished” rear.

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The three colors that come in the package are your standard highlighter colors: pink, yellow, and green. Each is quite bright and visible, but doesn’t block whatever is being highlighted. Green is the darkest, and is a color almost unusable in some highlighters, but here it is serviceable, if my least favorite because of the “shading” pools that tend to form at the start and end of a highlighted line. Pink is slightly better at this, and of course yellow trumps both in the visibility of words beneath it, its own visibility (in good light), and lack of shading. Sharpie’s smear guard is still working as good as ever and most inks can be highlighted without trouble (but some water-based inks are more unhappy about it than others). And then there’s the main feature. After using it, I don’t get it. It is technically possible to see through the highlighter so you know what you’re highlighting and when to stop. But if you didn’t know that going in what were you thinking? And the angle you have to hold the pen at to see well isn’t a very comfortable one. I mean, I can’t fault it for “not working”, but I just don’t understand how it’s supposed to be used. It doesn’t make anything easier or better, it’s just there.

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If you’re looking for a set of highlighters, these work, and if you find them at around the same price as normal highlighters (the price fluctuates) I’d say get them (it doesn’t hurt). But I wouldn’t go out of my way for them, or pay much more. I can’t see their gimmick as anything more than that, and it doesn’t work for me.

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Review – Sharpie Colors Part 5 Reds – Red, Pink, Pink Lemonade, and Magenta

We’re five parts in to my look at the various Sharpie pen colors I have. This time I will be looking at some of the various shades of red.

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Red – The red itself is a deep, dark color. It’s close enough to the color of a red rose, and surprisingly (or unsurprisingly if the dye for both is those red bugs) ketchup. It’s not very aggressive or eye-hurting, but it stands out and is good for marking and work-appropriate. It’s not the best or worst on the bleed-through side of things, but has almost no shading or feathering. It’s a good color, if a bit boring.

sharpie colors reds

Pink – The pink is also a bit like a rose, not getting quite to the obnoxious hot pink style, but still bright and visible. It’s not the most natural color, but it does separate things out from the crowd. Bleeding is again medium, feathering and shading are a bit more pronounced than on the regular red, though.

Pink Lemonade – Pink lemonade is indeed the color of pink lemonade, or of a pink crayon or candle (something wax). It’s not unpleasing, but it’s also not a color I would keep coming back to. It’s fairy flat and doesn’t really pop out, but is differentiatable. Bleed-through and feathering are pretty bad, and shading is noticeable, though not too much.

Magenta – And now for the final color I’m a bit dubious about. I think it’s magenta. It’s a very deep pinkish color (should I say again like a rose? Roses occur in so many colors) which I can’t find many natural parallels to, nor any really solid work applications. It does look pretty (I guess) but that’s about it. Bleed-though and feathering are terrible with this one, but no shading is evident.

And that’s the reds. They look like flowers, and don’t work well at the stereotypical workplace. They work for organizing, but have some pretty extreme properties. They’re certainly the most eye-catching of the bunch (other than yellow).

Next week I’ll look at the Oranges (and yellow)

Review – Expo Ultra Fine Pink, Purple, Orange, and Brown

I’ve looked at the 4 most common Expo marker colors (specifically in the Ultra-Fine tip) in the last few weeks, and this week I’ll look at 4 of the lesser-seen colors: pink, purple, orange, and brown.

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Pink- to start with, the pink is a nice, dark pink that looks much more pleasant than the common pinks found in writing utensils. It’s rosy, and very consistent; the line width is medium, though.

Purple- next, the purple is a very bold writer, it goes on smoothly and with a lot of ink, but there is more variance in the color when dry. It is a nice, dark purple, and unmistakably so. It might be confused with black from far away, but is generally distinguishable.

Orange- the orange is very thin, both in line and in color. It’s sometimes hard to tell it’s there at all, and there is a wide color variance within it. I’m not a particularly big fan of it.

Brown- and finally the brown, which is another wide-writer. It writes smoothly, with the only color variance being in the tips. It’s a dark enough brown to be easily read, and still distinguishable from the other dark colors.

Overall, these 4 are a nice addition, though they aren’t my favorites, either in performance or in looks. I like them, but if I were just getting these for a class I would skip them. For organization, note-taking, and art, these colors have a better purpose, but those aren’t the main purpose of dry-erase markers.

Review – PaperMate Flair Colors – Orange, Lime, Magenta, Marigold, and Pink

Now it’s time for part two of my look at the 20 colors of the Papermate Flair. This section of five is the “Warm” colors section. Mostly some normal colors here, but a few out-liars. Nothing too crazy.

Papermate flair colors part 2

This scan didn’t work the best

 

Orange – The orange is a deep, red-ish orange that is surprisingly natural looking. It’s very subdued, but noticeable, good for organization, but not for documents. It’s dark enough that it can be read at a glance. It fades significantly, but doesn’t really smear when wet.

Lime – The lime likely has the most variance in color, when written with fast it is a surprisingly standard bright lime color, but when taken slowly it is rather dark and subdued. It wouldn’t make a great office color but it is less harsh than a normal lime green, and the variances in tone make it good for art. Another plus is water hardly affects it.

Magenta – I find magenta colors had to classify, this one is pretty, nice to look at, and readable. It wouldn’t suit the office well but it does look like I could see it out my window. Heavy bleeding and smearing when wet with this one.

Marigold – At first glance this pen looks like another yellow, which it is, but much less harsh and more readable. It has a tinge of orange that is very pleasant and flower-like. There’s a lot of smearing, but almost no fading when exposed to water. Perhaps it could be used as an alternative to red to use when marking something important. Just as noticeable, but less aggressive.

Pink – I don’t like this color, it’s a hot-ish pink, not blinding, but not pleasant. It’s standard all things considered, it barely moves when wet and is inappropriate for anything but personal organizing. I’m not judging you if you like it, but I won’t be using if for anything.

And that’s part two. I like the warm colors, but I struggle to find uses for them. Next time I’ll take a look at five more, but this time “Cool” colors.

Review – Bic Stic Colors Pink, Purple, Lime, and Light Blue

The Bic Round Stic is an iconic pen. Not so much as the Bic Cristal, but still quite well known. It is a fairly robust pen, but usually one of few colors. The pen usually comes in the four standard colors: black and RGB. With some hunting, though, one can find more exotic colors, like the ones I will be talking about today: the pink, lime, purple, and sky blue colors.

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First up is the pink, which is a nice color. It certainly isn’t hot pink, which I despise. It covers well and writes smoothly. It’s fairly dark but still quite pink, though not a very natural pink. It’s the kind that could really only be seen from an ink like this and not anywhere else.

Next is the light (sky) blue, which writes smoothly, but has many little imperfections in the line. It just doesn’t cover well. The color is fantastic, though. It can be a bit hard to see at times but it’s quite pleasant to look at and not particularly eye straining. It is most like the colors at the edges of a clear body of water or the sky closer to the sun, so rare, but not unheard of in nature.

A bit altered in editing

A bit altered in editing, but a good representation

On to the lime, which is by far the hardest to read of the group. And it has some startup and writing problems, though when you get it working it does write smoothly. On the paper, the green is so light as to be unreadable in many cases and can cause eye strain. Though I call it lime, it really is much lighter and closer to… well, nothing that I can think of.

And finally, the purple, which is the best in terms of pen quality. It has no startup issues, writes smoothly, and covers well. It is darker than the blue but not by much, and still would require a second glance to read from far away. That being said, it is a very pleasant color to look at and is great for use when a more standard office color is not necessary. The color would be a rare one to find in the wild, though.

Overall, for writing these pens are hit and miss, and for art they are also hit and miss. The purple and blue are the best. I wouldn’t even try to use the lime. If you’re looking for some way to make your writing more unique, there are other Bic sets out there for that (like an entire box of the purple) and the same goes for any type of art that you might be making, unless it requires some very specific colors

Review – Papermate Inkjoy Green, Pink, Orange, and Light Blue

In a previous entry I looked at the more standard Papermate Inkjoy colors, now it’s time for the less standard colors, like light blue, pink, orange, and green.

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The light blue is a sky-colored blue. It is the hardest to read of any of the Inkjoy colors, though it is still fairly visible when not cluttered. It has a very natural feel and is very sky-like. It is very neutral anyway. It doesn’t look like a color that takes a stance, if that makes any sense. It’d make a nice color for both drawing and work.

Next pink, which thankfully isn’t a very aggressive pink. It’s definitely not hot, it’s more of a magenta color, but not quite. It is not a very natural color, though, as it doesn’t look like a rock or a flower. Might be good for a personal thing, or some corrections or something similar.

Third is orange, which I must say looks almost exactly like Pilot G-2 Orange, which I have previously reviewed. Subtle, but not very useful, perhaps flowers or the fruit, but it could be work-friendly, if you’re in a less formal office setting.

Finally green, which is a quite deep, more forest color. A very natural and neutral color. Again a fine informal office color, and a nice forest or swamp color. Though very limited in its natural colors. One of the least useful, but most usable, colors in the set.

Overall these four colors are unintrusive and subtle, with various office and home applications, but very little artistic applications save a few specific places.

Review – Pink, Orange, Turquoise, Burgundy, and Lime

And now for five more Pilot G2 colors! These are the the more “regular” colors, but just a bit different, so let’s go.

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The first is pink, which is very pink. It’s probably the brightest and most visible color in the set, though it fortunately isn’t an eye-searing hot-pink. It runs fairly thick and as pinks go, is quite deep, closer to red than to rose.

The second is orange, which is fairly bright, the second hardest to read of the bunch. It is plainly orange though, and will be a stark contrast to any other color in the set. Like most of the other colors, though, it is done well, and is not painful to look at or too difficult to read.

Next we have turquoise, which is a greenish-blue color. Honestly, it just looks like turquoise, which is a very pleasant color. It’s appealing and subdued, it almost looks like sky or clear “caribbean” sea. It’s a fantastic color, especially if you want a bluish color, but a bit lighter and happier.

Fourth is burgundy, which is a deep, purplish red. It’s almost like a red-black. It is very readable on the page, but gives writing a bit of flair not seen in a red, black, or purple ink that would be close. The ink is a bit thick though, and has some starting problems, but that just means it should be used more often.

And lastly for this set is lime, which is obviously a very light green. It actually looks nothing like a lime (like most colors called lime). It is the hardest to read of the bunch, but still isn’t quite offensive to the eye, though I wouldn’t write with it. I think it’s still the worst here, though, as it doesn’t match the nice qualities of the rest of these inks, and it’s a bit dry on the page.

Next up are the more uncommon colors.

Review – Micron Rose, Brown, and Sepia Colors

So now we get to the final group of the Micron colors that came in the 8 pack of Micron colors. These are the weird or non-standard colors, in my opinion.

The first is Rose, which is a pink: they just call it Rose to make it fancy. It’s a very deep, pleasant, pink color, not like the very vibrant, in-your-face pinks that dominate what is considered pink these days. It doesn’t really approach purple, but it is darker than most roses I’ve ever seen. It’s surprisingly nature-y for a pink, though. It does have some problems with bleed-through on thin paper, but not a lot.

Next we have Brown, which I would call light brown. I would say it’s sort of a fertile, soft, earth color. Again, for a light color it’s fairly subdued, not like a Crayola pencil or anything. Again, it’s surprisingly real looking. It has no problems with bleed-through at all really, and goes well in a landscape.

Finally we have Sepia, which I call dark brown. It’s very mud-like. Another deep, saturated color. It can get very saturated though, and end up looking like black in the final product, so it does take careful application. It also tends to pool, resulting in spots of darker color. Some skill is required to get it to look right. Surprisingly, though, it has very little bleed-through even on thin paper.

micron color test 2.0

These ‘non-standard’ colors are very nice overall. If one is looking to do nature sketches, landscapes, etc. these are quite nice. They are very subdued and blend in nicely. I find them much more pleasant than the bright reds and blues of the other Microns. If you just want standard colors for organizing or technical things, these are not the pens you need.  However, if you’re drawing a lot of the outside, or in cool colors, these are fantastic.