Mini Review – Peruvian 2B Pencils

At this point, I’ve gotten through the reviews of most of the non-U.S. purchased products I’ve received. But down at the bottom of that list are these simple little nameless pencils that came from Peru in what I understand was a larger bundle. And I’d like to take a quick look at them before moving too far beyond.

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The body is your standard yellow, hexagonal fare, without a ferrule or eraser at the back, replaced with a white band and then a black “cap” of paint. The only other adornment is “2B” stamped in a gold color. They come pre-sharpened, and thus a little shorter than your average pencil, being around 7”.

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The lead is a 2B, so it’s a little softer than your #2 HB’s, but it’s far from too soft, and the difference is really hard to tell. That probably stems from it not being a very well refined graphite, making it more toothy and gritty than one would generally expect from this hardness of pencil.

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The build quality is work-able, with the wooden body being quite sturdy, and the absence of an eraser making things easy. There is some variance in how well the lead is centered, though, making sharpening sometimes difficult. In the end they’re what you’d expect from a cheap no-name pencil, but they get the job done.

Review – Vinifan Bicolor Colored Pencils (Triangular)

I don’t know about anyone else, but I certainly have memories of being fascinated by double-ended colored pencils. I actually might still have my first one around somewhere because, even though I ended up with a couple different ones in my pencil pile™, there just wasn’t much use I could find specifically for a double-ended colored pencil. But the box for the one I’m looking at today, the Vivifan Bicolor, has (as best I can make out since I don’t read Spanish fluently) listed uses for each side of the blue and red pencil. The blue side is for “writing” and the red side is for “correcting” (escribir y corregir respectivamente), but is that really a good use scenario?

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Like a few other Peruvian writing implements I’ve reviewed recently, the Bicolor has a rounded, triangular body that helps with grip and prevents it from easily rolling off the table. It’s painted red and blue on the sides corresponding with the color of the lead, coming together in the middle at a surprisingly straight line (I don’t know if that line exactly corresponds to the leads, though). Near the center, stamped in gold letters, are “Vivifan” and “Bicolor” which is enough, but I would’ve liked some more information.

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In the package, the points are very cheaply made with 3 flat cuts, but they are usable (though the points were broken or blunted on some of mine during the trip from Peru to the USA). The writing has a more-or-less standard, waxy colored pencil feeling. Coverage is pretty good when bearing down (the blue covers slightly less completely than the red), and at normal writing pressure they are darker than the average colored pencil. But, in my experience, they become unsightly and uncomfortable after only a few words. The fire-engine red and navy blue colors are unspectacular and almost non-differentiate-able from Crayola orange-red and blue pencils, but they get the job done. Both the waxy-ness and the not-good-for-art colors provided help lead to the very standard problem with inexpensive colored pencils of them not blending very well, but the packages says they’re for writing so that’s less of a concern.

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I’m still not really sure what I would use this for. The red side is good for marking corrections to be made, but the blue side is not good for writing. The color set is too limited for most artistic applications and the difficulty there is compounded by the inexpensive waxy-ness. Still, if you’re looking for a space-saving or easier-to-keep-track-of way to have both a blue and red colored pencil with you, this would be a perfectly adequate (and comfortably designed) way to do that.

Review – Faber-Castell Grip 2020 Ballpoint

Sometimes the basic problems of a cheap ballpoint pen can just get to you. Many ballpoints have a round or hexagonal design that can lead to hand cramping or slipping while trying to write with thick, uncooperative ink. You see additions like silicone rubber grips occasionally as a remedy in the US, but apparently in places like Peru they have attempted to remedy these problems directly in the design of the pen. The Faber-Castell Grip 2020 boasts an ergonomic triangular design, with as studded grip and “smooth writing” ink. But how well does that improve performance?

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The body is a simple, translucent, subtly triangular-ized cylinder with 150 small rounded “studs” for grip evenly positioned on the faces. The cap is round, with an integrated clip, and it has the relatively unique feature of sliding “under” the barrel rather than over it with the required step down being about the last quarter of the cap. Underneath the lip holding the cap in place there is a slightly tapered cone, friction fit over the ink tube; this cone can be removed, allowing the ink tube to be replaced. At the back there’s a stopper that steps down near the end, forming a space between it and the body where the cap can be posted. Over this stopper, on two sides of the triangle, there is written material: stamped in silver lettering is “Faber-Castell” and printed on a label is the barcode, model number, ink (and pen) color, and “Made in Peru”. I’m a bit disappointed by that, since, even though it’s on the back, labels on writing instruments have a tendency to get damaged and if that happened you wouldn’t know the model to get a replacement.

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Functionality is quite good. The cap both caps and posts securely while maintaining the “lines” of the pen (the pen flares out ever so slightly in the back so it doesn’t match up as well there, leaving a step down instead of a {relatively} smooth transition). The clip is fine but isn’t very tight and it slips on thin material (its attachment point and the plastic it’s made of are surprisingly rock-solid, though). The ink is smooth as promised, coming out of a very medium tip (broader than I like, to be honest). For all intents and purposes it is the same as the other Faber-Castell made-in-Peru pens, maybe a little bit darker, and with blobbing being present, but not nearly as frequent as the other models I’ve looked at (counter-intuitively {usually wider tips on ballpoints leads to more blobbing}).

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It’s a very nice little pen. For my personal daily use I prefer something shorter and with a finer tip, but this pen is comfortable, easy to hold, smooth writing, and doesn’t slip. I also really like the cap and how it doesn’t expand the circumference of the pen (save for the clip) and is probably less prone to crushing or cracking. If they managed to make the clip a little better, and offered the top in a fine I would seriously be looking to import some to use all the time. So if you’re looking for a simple, relatively inexpensive, comfortable, and durable (the plastic is very solid feeling) pen, and don’t mind importing, I’d certainly give this one a try.

Review – Faber-Castell Trilux 031 (Black, Blue, and Red)

Some time ago I reviewed the Faber-Castell Lux (034), an inexpensive Peruvian pen comparable to cheap Bics or Paper:Mates. They were pretty decent pens but they had small, round bodies that could easily become uncomfortable (I personally don’t have much of a problem with the size, but I can see how some people might not like it). Their bigger brothers, the Trilux (031 in this case), have larger, triangular bodies, in an attempt to remedy this problem and provide a more ergonomic experience while still being inexpensive. But are they actually more comfortable?

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“Probably” is the answer. The body is a very rounded triangular shape (in green for the 031, the back of the package indicated different numbers are different color barrels) with a cylindrical cap in the back and the slightest of step-downs in the front third, followed by a quick tapering to a point. The step down and end cap are just for the single-piece cap-with-clip to be able to grip since it’s still round for some reason. Both the cap and end-cap (finial?) are color-coded to match the ink color of the pen. Printed/embossed in black on the side is enough information to identify the pen.

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The section is comfortable to hold: the triangular shape fits well in the hand (with a standard 3-finger grip), the plastic is easy to hold, being slightly less polished after the step down, and said step down isn’t an issue at all, barely being noticeable. The cap is post-able (I only mention that because with the triangular shape and round cap they had to go out of their way to make that so) and the integrated clip does a fine job but I would suspect it’s easy to snap off.

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The inks seem to be the same as those used in the Lux, which are fairly comparable to any other set of inexpensive ballpoint inks, with the red being on the darker rather than the lighter side, the blue being quite dark, and the black feeling warm and grey-ish. My set in particular is fine-tipped, and writes fairly smoothly, but with more blobs than I would like. When I first opened the package the red and blue pens worked while the black was dried up. Warm water and/or rubbing alcohol didn’t unclog it and I finally had to resort to using a lighter, which I wouldn’t recommend, but it did work and was likely the only way to get it to write as it is “non-disassemble-able” (unless you want to destructively disassemble it).

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In the end they’re a solid pen, and a comfort upgrade with their thicker section and triangular design. They’re not the perfect office pen, but they feel well made (even if the plastic feels ever so slightly less flexible and/or solid when compared to some other similar pens), they write, they’re comfortable, and are inexpensive. I wouldn’t be seeking them out, and with them being “Producto Peruano”, finding a steady supply in the ‘States would be hard, but they are an increase in comfort to an already well-performing pen for the price.

Review – Paper:Mate Mongol Tri Pencil

In the US most of the wood pencils you’ll find are either round or hexagonal (at least in places I’ve seen) with emphasis on the hexagons. I personally prefer round for comfort, but they tend to roll off of any but the flattest of surfaces. Apparently people in other places have found this an issue as well, and attempted to rectify it, because I recently received a set of writing utensils from Peru, in which were 4 triangular writing instruments, among them the Paper:Mate Mongol Tri. Is it an upgrade?

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At first glance there’s nothing interesting about their design. They’re regular pencil length: ≈ 8”, with a crimped ferrule holding a pink eraser, and yellow paint with black (stamped) lettering. The printed information is all you need to know and a barcode, there is even a stamped but not colored “woodclinched” which I’m sure means something. It’s an overall similar diameter to standard pencils here in the US, but maybe a millimeter or so thicker. That extra thickness is to accommodate the rounded triangular shape (it’s probably the same volume of wood overall) that doesn’t roll off the desk (for the most part; you might have a very steep desk) and fits quite comfortably into the hand when using a standard 3-finger pencil grip. My fingers are much closer together when using this rather than a hexagonal design, but there isn’t much of the hand cramping you get when using smaller diameter writing instruments, and the paint provides enough friction to hold onto.

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Performance is nothing special and what you’d expect from a #2 Paper:Mate. The lead hardness is middle of the road, more on the softer side of HB, but that really just contributes to it losing its point quickly and not much in how it looks on paper. The eraser is fine, with nothing special about it. Like most integrated wood pencil erasers, it isn’t really enough for the life of the pencil, but it won’t be vanishing on you. In the package they come with a point that was pretty dull when I got it (but it did fly and go through the US Post Office first) and was obviously made with a chisel sharpener (three pretty flat cuts, one on each side) but it does work just fine with a standard rotating sharpener, even if it’s a bit strange to hold.

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If you really don’t like the feel of your average round-ish pencil, this (or similar) might be worth seeking out. I certainly don’t mind using it, and can see how it would be more comfortable under certain circumstances. But it is a fairly standard test/school/general-use pencil, with nothing special about how it writes. I‘ll definitely be keeping one around, and I hope to see products like this in the US in the future, but I’m pretty comfortable with round writing implements and don’t see the need to swap.

Review – Faber-Castell Lux 034

Last week I talked about a Faber-Castell ballpoint pen that was made in Peru, the 033. And this week I will continue my talk of Peruvian pens with the Faber-Castell 034 in all of the standard colors: black, blue, and red. And these seem much more like a Faber-Castell version of the inexpensive Bics and Paper:Mates that are used all the time.

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The body is as simple as it can be. It’s a straight cylinder with a small bit of fluting on the end that allows to cap the grip when posted. There is also some fluting on the slight step-down that is the section, and it is surprisingly comfortable and grippy. From there, there is a fairly standard looking cone that leads to the metal tip. As far as I can tell this is not removable and thus the pen is not refillable. The cap is a single piece of plastic with the same fluting on the top, and it has a slight taper to catch the section. The clip is molded in and does work, but not very well since it doesn’t ever meet the cap or barrel.

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Writing is fairly smooth and nice. There is globbing and occasionally startup issues. Red seems to have more problems with the former while black the latter. All tips are on the fine side of medium, and aren’t shielded from air by the cap so they will have startup problems if left out for some time. The ink is water-resistant and office-friendly,with a grayish, warm black, a dark-ish blue, and a deeper red. They are pretty similar to a Bic Stic/Cristal and a Paper:Mate Write Bros. The main differences are a darker red color, and a smoother writing experience.

Overall, I’m happy with them, but I wouldn’t go out of my way to find them. The writing is as good or better than most of the pens of comparable price in the US, but the bodies are made of what feels like a much more brittle plastic and they are very light weight and get float-y when writing. They are a good, solid, cheap office pen.